Work
The main body of Coronado's work was lyric poetry. Her poems adopted diverse themes, including patriotic sentiment in ¡Oh, mi España!; religion in El amor de los amores and ¿Cómo, Señor, no he de tenerte miedo?; and especially Romanticism in poems such as A una gota de rocío, A la rosa blanca, Nada resta de tí, ¡Oh! cuál te adoro, A una estrella, and A las nubes. Her prolific works were compiled in a single volume entitled Poesías, published in 1843 and re-edited in 1852, that includes a prologue by Juan Eugenio Hartzenbusch.
In prose, she wrote a total of fifteen novels including Luz, El bonete de San Ramón, La Siega, Jarrilla, La rueda de la desgracia (1873), and Paquita (1850). Many critics consider the last to be the best. She also authored several plays like El cuadro de la esperanza (1846), Alfonso IV de León, Un alcalde de monterilla, and El divino Figueroa, but these endeavors are considered minor in comparison to her non-theatrical works.
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“As a man has no right to kill one of his children if it is diseased or insane, so a man who has made the gradual and conscious expression of his personality in literature the aim of his life, has no right to suppress himself any carefully considered work which seemed good enough when it was written. Suppression, if it is deserved, will come rapidly enough from the same causes that suppress the unworthy members of a man’s family.”
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“I was at work that morning. Someone came riding like mad
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Bareback he rode; he had no hat; he hardly stopped to say,
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