Work
The main body of Coronado's work was lyric poetry. Her poems adopted diverse themes, including patriotic sentiment in ¡Oh, mi España!; religion in El amor de los amores and ¿Cómo, Señor, no he de tenerte miedo?; and especially Romanticism in poems such as A una gota de rocío, A la rosa blanca, Nada resta de tí, ¡Oh! cuál te adoro, A una estrella, and A las nubes. Her prolific works were compiled in a single volume entitled Poesías, published in 1843 and re-edited in 1852, that includes a prologue by Juan Eugenio Hartzenbusch.
In prose, she wrote a total of fifteen novels including Luz, El bonete de San Ramón, La Siega, Jarrilla, La rueda de la desgracia (1873), and Paquita (1850). Many critics consider the last to be the best. She also authored several plays like El cuadro de la esperanza (1846), Alfonso IV de León, Un alcalde de monterilla, and El divino Figueroa, but these endeavors are considered minor in comparison to her non-theatrical works.
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“He will not idly dance at his work who has wood to cut and cord before nightfall in the short days of winter; but every stroke will be husbanded, and ring soberly through the wood; and so will the strokes of that scholar’s pen, which at evening record the story of the day, ring soberly, yet cheerily, on the ear of the reader, long after the echoes of his axe have died away.”
—Henry David Thoreau (1817–1862)
“Know that it is good to work. Work with love and think of liking it when you do it.”
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“Poets that lasting Marble seek
Must carve in Latine or in Greek,
We write in Sand, our Language grows,
And like the Tide our work o’erflows.”
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