Work
The main body of Coronado's work was lyric poetry. Her poems adopted diverse themes, including patriotic sentiment in ¡Oh, mi España!; religion in El amor de los amores and ¿Cómo, Señor, no he de tenerte miedo?; and especially Romanticism in poems such as A una gota de rocío, A la rosa blanca, Nada resta de tí, ¡Oh! cuál te adoro, A una estrella, and A las nubes. Her prolific works were compiled in a single volume entitled Poesías, published in 1843 and re-edited in 1852, that includes a prologue by Juan Eugenio Hartzenbusch.
In prose, she wrote a total of fifteen novels including Luz, El bonete de San Ramón, La Siega, Jarrilla, La rueda de la desgracia (1873), and Paquita (1850). Many critics consider the last to be the best. She also authored several plays like El cuadro de la esperanza (1846), Alfonso IV de León, Un alcalde de monterilla, and El divino Figueroa, but these endeavors are considered minor in comparison to her non-theatrical works.
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“And now my work is done, which neither the anger of
Jove, nor fire, nor sword, nor the gnawing tooth of time
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on men’s lips.”
—Ovid (Publius Ovidius Naso)
“The fact is that all writers create their precursors. Their work modifies our conception of the past, just as it is bound to modify the future.”
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“Erasmus was the light of his century; others were its strength: he lighted the way; others knew how to walk on it while he himself remained in the shadow as the source of light always does. But he who points the way into a new era is no less worthy of veneration than he who is the first to enter it; those who work invisibly have also accomplished a feat.”
—Stefan Zweig (18811942)