Music
Although Oscar Hammerstein II translated the libretto for Georges Bizet's opera Carmen from French into English for his Broadway production, "The music was pretty much left intact," explains Arts and Entertainment Editor Elisabeth Vincentelli, "but Hammerstein transferred the action to WWII America. Carmen's tobacco factory became Carmen Jones' parachute factory, bullfighter Escamillo became boxer Husky Miller, and so on. As if this weren't enough, there also was the 'small' detail of casting the show only with African-Americans."
Vincentelli goes on to say, "...many of the show's songs retain a surprising impact. The feverish intensity of 'Beat Out dat Rhythm on a Drum,' for instance, hasn't dimmed over the years, and the song's been covered by a wide variety of performers, from Pearl Bailey and Marc Almond to Mandy Patinkin." The majority of the actors performing the songs in the film Carmen Jones were dubbed. Even singer Harry Belafonte was dubbed (by LeVern Hutcherson), and Dorothy Dandridge was dubbed by Marilyn Horne (long before Horne became a famous singer).
Read more about this topic: Carmen Jones
Famous quotes containing the word music:
“Poetry is either something that lives like fire inside you—like music to the musician or Marxism to the Communist—or else it is nothing, an empty formalized bore around which pedants can endlessly drone their notes and explanations.”
—F. Scott Fitzgerald (1896–1940)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“As I define it, rock & roll is dead. The attitude isn’t dead, but the music is no longer vital. It doesn’t have the same meaning. The attitude, though, is still very much alive—and it still informs other kinds of music.”
—David Byrne (b. 1952)