Career
During its fledgling years, Blue Sky Studios provided special effects and produced animated TV commercials. In 2002, Saldanha and Wedge co-directed the animated feature film Ice Age. The movie was a success, with an opening weekend gross of $46.3 million, the best March opening ever. After co-directing the 2005 film Robots, he broke his previous March opening record with the 2006 Ice Age sequel, Ice Age 2: The Meltdown, which Saldanha directed by himself. He would later direct the 2009 sequel, Ice Age: Dawn of the Dinosaurs. Desiring a change of location after directing three films set in icy locales, Saldanha's next project was the 2011 film Rio, which is set in Saldanha's hometown of Rio de Janeiro. Saldanha, who felt that Rio had never been fully portrayed on film, felt a responsibility to travel to the city with the other animators, so that they could accurately capture Rio's unique environment and habitats. The movie grossed a reported $484 million worldwide.
In October 2012, Saldanha signed a five-year exclusive deal with 20th Century Fox to develop and produce animated and live-action projects. For 2014, he is directing Rio 2, and is developing an animated feature film based on Alienology from the Ologies fantasy book series.
Read more about this topic: Carlos Saldanha
Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)