Concord Films
Straight out of his Master’s program, Franklin landed a job with well-known cult classic movie director Roger Corman in 1989. Corman was one of many directors who had been impressed with Franklin’s thesis film Punk. Corman took on Franklin as a sort of protégé, working under him at his production company Concord Films. Corman has become well known for discovering young talent, having mentored famed filmmakers such as Martin Scorsese, Francis Ford Coppola, Ron Howard, and Peter Bogdanovich. Clearly, Franklin was in good hands.
While working at Concord Films, Franklin gained experience working on low-budget films, helping to crank out six films in just two years’ time. Roger Corman is known for fast-paced filmmaking, with a reputation for cranking out screenplays in a matter of weeks and filming them even faster. Working with Corman gave Franklin the opportunity to write, direct, produce, and occasionally even act in a wide range of mostly unseen films. Throughout the experience, Franklin found himself working on films in exotic locations such as Peru and the Philippines, and pushing himself creatively . From 1989 to 1990, Franklin worked on Nowhere to Run, Eye of the Eagle 2: Inside the Enemy, and Full Fanthom Five, respectively, under Concord Films.
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Famous quotes containing the words concord and/or films:
“The Concord had rarely been a river, or rivus, but barely fluvius, or between fluvius and lacus. This Merrimack was neither rivus nor fluvius nor lacus, but rather amnis here, a gently swelling and stately rolling flood approaching the sea. We could even sympathize with its buoyant tied, going to seek its fortune in the ocean, and anticipating the time when “being received within the plain of its freer water,” it should “beat the shore for banks.””
—Henry David Thoreau (1817–1862)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)