Carl Franklin - Concord Films

Concord Films

Straight out of his Master’s program, Franklin landed a job with well-known cult classic movie director Roger Corman in 1989. Corman was one of many directors who had been impressed with Franklin’s thesis film Punk. Corman took on Franklin as a sort of protégé, working under him at his production company Concord Films. Corman has become well known for discovering young talent, having mentored famed filmmakers such as Martin Scorsese, Francis Ford Coppola, Ron Howard, and Peter Bogdanovich. Clearly, Franklin was in good hands.

While working at Concord Films, Franklin gained experience working on low-budget films, helping to crank out six films in just two years’ time. Roger Corman is known for fast-paced filmmaking, with a reputation for cranking out screenplays in a matter of weeks and filming them even faster. Working with Corman gave Franklin the opportunity to write, direct, produce, and occasionally even act in a wide range of mostly unseen films. Throughout the experience, Franklin found himself working on films in exotic locations such as Peru and the Philippines, and pushing himself creatively . From 1989 to 1990, Franklin worked on Nowhere to Run, Eye of the Eagle 2: Inside the Enemy, and Full Fanthom Five, respectively, under Concord Films.

Read more about this topic:  Carl Franklin

Famous quotes containing the words concord and/or films:

    When, said Mr. Phillips, he communicated to a New Bedford audience, the other day, his purpose of writing his life, and telling his name, and the name of his master, and the place he ran from, the murmur ran round the room, and was anxiously whispered by the sons of the Pilgrims, “He had better not!” and it was echoed under the shadow of the Concord monument, “He had better not!”
    Henry David Thoreau (1817–1862)

    The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
    Jean-Luc Godard (b. 1930)