Works
- Bebuquin oder die Dilettanten des Wunders. Ein Roman. Berlin: Verlag der Wochenschrift Die Aktion, 1912.
- Neue Blätter. Berlin: Baron, 1912.
- Wilhelm Lehmbrucks graphisches Werk. Berlin: Cassirer, 1913.
- Negerplastik. Leipzig: Verlag der weißen Bücher, 1915.
- Der Unentwegte Platoniker. Leipzig: Wolff, 1918.
- Afrikanische Plastik. Berlin: Wasmuth 1921 (Orbis pictus, Weltkunst-Bücherei; 7).
- Die schlimme Botschaft. Berlin: Rowohlt, 1921.
- Der frühere japanische Holzschnitt. Berlin: Wasmuth 1922 (Orbis pictus, Weltkunst-Bücherei; 16).
- Afrikanische Märchen und Legenden; herausgegeben von Carl Einstaein, Rowohlt, 1925. Neuausgabe (1980) MEDUSA Verlag Wölk + Schmid, Berlin.
- Die Kunst des 20. Jahrhunderts. Berlin: Propyläen, 1926. (Propyläen-Kunstgeschichte; 16).
- Entwurf einer Landschaft. Paris: Kahnweiler, 1930.
- Giorgio di Chirico. Berlin: Galerie Flechtheim, 1930.
- Die Kunst des XX. Jahrhunderts. Berlin: Propyläen, 1931.
- Georges Braque. Paris: Editions des chroniques du jour. London: Zwemmer. New York: E. Weyhe, 1934.
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Famous quotes containing the word works:
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
—Henry David Thoreau (1817–1862)
“Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
—Paul Valéry (1871–1945)