Character History
The original version of Captain Barbell depicted him as shirtless because during the more whimsical comics age in the Philippines that occurred in the 1960s (Silver Age), Mars Ravelo based the good Captain's look on circus strongmen, but with the addition of a mask. Since the original Enteng's look was a really thin guy in a tank top (emphasizing his bony features), it was decided that Captain Barbell's "shirtless circus strongman" look could provide a much more dramatic contrast to his mortal persona. Recent comics depicted him wearing a long-sleeved yellow shirt instead of being shirtless. Captain Barbell is, obviously, created after the DC character, Captain Marvel (Shazam).
Ravelo vent out a sort of retaliation on the Captain Marvel character. This time, he admitted doing the spoofing himself, and out came Captain Barbell. He tailor-made the character Tenteng (Captain Barbell’s alter-ego), to Dolphy, who was then a comical skinny actor, as a pun or insult, as opposed to the matinee-idol type Billy Batson (Captain Marvel’s alter-ego). He specifically told illustrator Jim Fernandez about that, and you can see the obvious similarity between Dolphy and Tenteng in Fernandez’ drawings (“Captain Barbell,” Pinoy Komiks, 1963). He even intended the character to have a funny transformation, that Captain Barbell would turn into a skinny bungling superhero (Ravelo, however, later changed that story, which became “Captain Barbell vs. Flash Fifita”). (Un)Fortunately, Captain Barbell became a great hit and Dolphy made his character Tenteng quite a sensation. So, Ravelo changed his mind and continued the legacy of Captain Barbell.
In the original Captain Barbell komiks series (May 23, 1963 – June 18, 1964), and in the first movie, Tenteng was a laughable skinny young man very much maltreated by his four step-brothers, Bruno, Badong, Baldo and Banong. Tenteng’s full name as revealed by Ravelo in an interview was originally Penitente Mumolingot. According to Ravelo’s wife, she didn’t know about the “Mumolingot” surname but told that Tenteng was actually taken from the name of a tall lanky boy who bullied Ravelo as a kid.
In the original story, Tenteng released a genie from a bottle and in return the genie gave him three wishes. His first wish was for a fried chicken. His second wish was a barbell he alone can lift that possesses the power to transform him into a super being the moment he shouts “Captain Barbell” (much like “SHAZAM” in Captain Marvel). His third wish was for the genie to become small again. Unfortunately the genie got eaten by a cat.
The start of the story was filled with comedy (with Dolphy’s unequalled portrayal of Tenteng in the movie). The original Captain Barbell (portrayed by Bob Soler) had an eye mask and a real barbell made of “magical” solid gold. Captain Barbell and his alter-ego Tenteng each has a separate identity and portrayal. Tenteng is funny and a weakling while Captain Barbell is a serious character, and superstrong and invulnerable to any man-made weapons. He doesn’t, however, have superspeed as being portrayed on the television series. In fact, GMA 7’s adulterated version of Captain Barbell is almost entirely different from the original character, in storyline, costume and characterization.
Furthermore, after the power of the magical barbell left Tenteng (in the end of the original series), the barbell was thrown into the sea. In the succeeding series, the magical barbell re-emerged and found new rightful owners: Captain Barbel hence became the alter-ego of the limping Dario (“Captain Barbell Kontra Captain Bakal,” Pinoy Komiks, July 2, 1964), and the legless cigarette vendor Gomer (“Captain Barbell Versus Flash Fifita,” Liwayway, December 26, 1966).
Read more about this topic: Captain Barbell
Famous quotes containing the words character and/or history:
“When trying a case [the famous judge] L. Cassius never failed to inquire Who gained by it? Mans character is such that no one undertakes crimes without hope of gain.”
—Marcus Tullius Cicero (10643 B.C.)
“We are told that men protect us; that they are generous, even chivalric in their protection. Gentlemen, if your protectors were women, and they took all your property and your children, and paid you half as much for your work, though as well or better done than your own, would you think much of the chivalry which permitted you to sit in street-cars and picked up your pocket- handkerchief?”
—Mary B. Clay, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)