Capoeira Music - On Song Meaning and Importance

On Song Meaning and Importance

Understanding songs in capoeira is a good way to grasp and put into some historical context early Brazilian life and history. If one can identify with the music on a personal level, it goes a long way in adopting the heritage vital in the maintenance of capoeira as a cultural force. The songs of capoeira partly play the role of cultural guide and teacher.

The songs, whether ladainha, corrido, or quadra, can be placed in many categories for comparison. The following list is not exhaustive

What Examples Song examples
Folk lessons
Acknowledging folkway the corridos Bate Dendê, Marinheiro Sou
Acknowledging Slavery the corridos Návio Negreiro, a Manteiga Derramou, the interjections iaia and ioio (daughter and son of the slave master respectively)
Acknowledging symbolic aspects of capoeira vadiação, mandinga/mandingueiro, malandro/malandragem
Acknowledging roots through place Angola, Aruanda, Bahia, Pelourinho
Acknowledging Religion/Spirituality/Religious Syncretism references to Catholic saints, God(s), orixás, Candomblé, Nganga, etc...
Biographical, Autobiographical, Mythological references to Mestre Bimba, Mestre Pastinha, Mestre Waldemar, Besouro Mangangá, Lampião
Songs that comment on the game metaphorically the corridos a Bananeira Caiu, a Onça Morreu
Songs that comment on the game directly the corridos Devagar, Donalice Não Me Pegue Não
Greeting and Farewell songs (Despedidas) the corridos Camungerê, Boa Viagem
Songs that welcome women into the roda to play the corridos Dona Maria do Camboatá, Sai, Sai, Catarina, and the song Quem foi te disse Capoeira é só pra homem
Meta-Capoeira songs, that is, those that directly reference/invoke Capoeira by name

Many songs can be considered cross categorizational, as well.

Read more about this topic:  Capoeira Music

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