Canton of Lizy-sur-Ourcq - Composition

Composition

The canton of Lizy-sur-Ourcq is composed of 22 communes:

Commune Inhabitants Postal code INSEE code
Armentières-en-Brie 1,336 77440 77008
Cocherel 559 77440 77120
Congis-sur-Thérouanne 1,755 77440 77126
Coulombs-en-Valois 586 77840 77129
Crouy-sur-Ourcq 1,663 77840 77148
Dhuisy 261 77440 77157
Douy-la-Ramée 276 77139 77163
Étrépilly 824 77139 77173
Germigny-sous-Coulombs 191 77840 77204
Isles-les-Meldeuses 722 77440 77231
Jaignes 327 77440 77235
Lizy-sur-Ourcq 3,441 77440 77257
Marcilly 384 77139 77274
Mary-sur-Marne 1,170 77440 77280
May-en-Multien 843 77145 77283
Ocquerre 367 77440 77343
Le Plessis-Placy 264 77440 77367
Puisieux 287 77139 77380
Tancrou 314 77440 77460
Trocy-en-Multien 257 77440 77476
Vendrest 703 77440 77490
Vincy-Manœuvre 190 77139 77526

Populations as of 2006 census

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Famous quotes containing the word composition:

    It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!
    Thomas Chatterton (1752–1770)

    There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.
    Gertrude Stein (1874–1946)

    The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.
    Mary Kay Blakely (20th century)