Canticum Novum - History

History

The activities of Canticum Novum are the continuance of a well-founded choir tradition that came about more than a century ago within the Stellenbosch Dutch Reformed Church. This tradition includes notable South African figures in choral music such as Gawie Cillié, Chris Swanepoel, Pieter van der Westhuizen and Anton Els. When the Stellenbosch Central Church separated from the Stellenbosch Church (Moederkerk) in 1959, Chris Swanepoel extended this tradition when he established a choir that consisted mainly of students. Out of this congregation the Stellenbosch Student Church later formed.

Pieter van der Westhuizen succeeded Swanepoel in 1965 as conductor and organist. He held this position for 25 years - until 1990. Anton Els became the new conductor and in the 5 years that he held the position, the choir underwent its first name change - from the Stellenbosch Central Church Choir to the Stellenbosch Student Church Choir.

As of 1996 Louis van der Watt is associated with the choir and the congregation as conductor and organist. In 2000 the name changed again, becoming Canticum Novum. Due to a remerging of the two churches in 2007, the Stellenbosch Student Church is presently part of Moederkerk, and as such Canticum Novum is once more its official choir, celebrating its 50th anniversary in 2009.

Throughout its existence the choir has achieved many successes and has acquired a distinctive and beloved character, also due to its student makeup. Canticum Novum is the only choir in South Africa that only sings sacred music while at the same time consisting mainly of students and young adults. Apart from being the Stellenbosch Moederkerk Choir, Canticum Novum is also a stage choir that has a wide repertoire with works ranging from Bruckner, Rachmaninoff and Monteverdi to Negro Spirituals. Every year the choir also performs in one or more concerts with an orchestra including works by Händel, Mozart, Rossini, Bach and Schubert, to name but a few.

While having an impressive program, the value of the choir cannot be quantified. For those that sing in the choir, as well as those who listen in, the true value lies in the growth it brings to their lives. It is the recollections of clever comments during tours, camps and practice sessions and that mystical bond between them that share a sacred song that denotes the choir's worth. It is to be deeply touched by the words and music during a revered moment that brings amazing change in their life.