Career
Manheim worked for a while as a sign language interpreter at hospitals. Her knowledge of sign language was used on The Practice, in an episode of Law & Order, and in her role as a child behavioral psychologist in the movie Mercury Rising. In 1983, she made a brief appearance as a girl in an elevator in Sudden Impact alongside Clint Eastwood, in the post-courtroom scene at the beginning. In the mid 1980s, Manheim appeared as a "trebekkie" in a practical joke pulled on Alex Trebek on Bloopers and Practical Jokes. In 1998, Manheim collected an Emmy for her work on The Practice and exclaimed that, "This is for all the fat girls!" She followed up on this statement with a one-woman show titled Wake Up, I'm Fat! followed by her autobiography with the same name. In 1999, she was awarded the Women in Film Lucy Award.
In 2005, Manheim earned Golden Globe and Emmy nominations for her work in the miniseries Elvis, and the following year she joined the cast of Ghost Whisperer. Her other television credits include Chicago Hope, Ally McBeal, Family Guy, Will & Grace, Boston Public, Two and a Half Men, The L Word, How I Met Your Mother and Hannah Montana. She also voiced Juliet in the episode "Company Picnic" of the Dilbert on UPN in 2000.
In addition, Manheim has several film credits. These include Romy and Michele's High School Reunion, Happiness (which earned her and her co-stars a National Board of Review Award for Best Acting by an Ensemble), The Laramie Project, Scary Movie 3, Dark Water and An Unfinished Life.
Read more about this topic: Camryn Manheim
Famous quotes containing the word career:
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)