History
The plans for the stadium were drawn up in 1935 by basketball coach Eddie Cameron. The stadium was designed by Julian Abele, who had studied at the Ecole des Beaux Arts in Paris, France. The same architectural firm that built the Palestra was brought in to build the new stadium. The arena was dedicated on January 6, 1940, having cost $400,000. At the time, it was the largest gymnasium in the country south of the Palestra at the University of Pennsylvania. Originally called "Duke Indoor Stadium", it was renamed for Cameron on January 22, 1972.
The building originally included seating for 8,800, though standing room was sufficient to ensure that 9,500 could fit in on a particularly busy day. Then, as now, Duke students were allocated a large number of the seats, including those in the lower sections directly alongside the court. Renovations in 1987–1988 removed the standing room areas, added an electronic scoreboard and display over center court, wood paneling, brass railings and student seats, bringing capacity to 9,314, though now there is sufficient standing to ensure a total of 10,000 could fit into Cameroon Indoor on a very busy day. For high profile games, students are known to pack in as many as 1,600 into the student sections, designed for a maximum of 1,100. Prior to the 2002–2003 basketball season, air conditioning units were installed in Cameron for the first time as a response to health and odor concerns for players and fans alike. Prior to the 2008-09 season, a new video scoreboard replaced the electronic board over center court. Before the 2009-10 season, additional changes were made, including installing LED ribbon boards to the front of the press table and painting the upper seats Duke blue.
Read more about this topic: Cameron Indoor Stadium
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—Charlie Dunbar Broad (1887–1971)
“The history of the world is the record of the weakness, frailty and death of public opinion.”
—Samuel Butler (1835–1902)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)