History and Technical Development of Photographic Camera Lenses
The problems of creating a lens that would cover a large flat image plane were well known even before the invention of photography. Lenses had already been developed to work with the focal plane of the camera obscura, a device for projecting images used as a novelty and an artist's drawing aid, and had been around for hundreds of years. Since the invention of photography many types of lenses have been tried. The succession of designs was never uniform since an older design that performed a task the photographer needed (such as working better portrait versus landscape, working at the wavelength of light the film collected, etc.) would still be used in unison with newer designs. Even today the job the lens needs to do, the laws of physics, the limits of engineering, as well as the practical considerations of size, weight and cost, means there are many designs available.
| Some lens aberration encountered by early photographers | |||||||||
|
|||||||||
Read more about this topic: Camera Lens
Famous quotes containing the words history, technical, development, photographic, camera and/or lenses:
“To history therefore I must refer for answer, in which it would be an unhappy passage indeed, which should shew by what fatal indulgence of subordinate views and passions, a contest for an atom had defeated well founded prospects of giving liberty to half the globe.”
—Thomas Jefferson (17431826)
“Where there is the necessary technical skill to move mountains, there is no need for the faith that moves mountains.”
—Eric Hoffer (19021983)
“Theories of child development and guidelines for parents are not cast in stone. They are constantly changing and adapting to new information and new pressures. There is no right way, just as there are no magic incantations that will always painlessly resolve a childs problems.”
—Lawrence Kutner (20th century)
“... the most grandiose result of the photographic enterprise is to give us the sense that we can hold the whole world in our headsas an anthology of images.”
—Susan Sontag (b. 1933)
“The camera has an interest in turning history into spectacle, but none in reversing the process. At best, the picture leaves a vague blur in the observers mind; strong enough to send him into battle perhaps, but not to have him understand why he is going.”
—Denis Donoghue (b. 1928)
“Life is a train of moods like a string of beads, and, as we pass through them, they prove to be many-colored lenses which paint the world their own hue, and each shows only what lies in its focus.”
—Ralph Waldo Emerson (18031882)