Camera Lens - History and Technical Development of Photographic Camera Lenses

History and Technical Development of Photographic Camera Lenses

The problems of creating a lens that would cover a large flat image plane were well known even before the invention of photography. Lenses had already been developed to work with the focal plane of the camera obscura, a device for projecting images used as a novelty and an artist's drawing aid, and had been around for hundreds of years. Since the invention of photography many types of lenses have been tried. The succession of designs was never uniform since an older design that performed a task the photographer needed (such as working better portrait versus landscape, working at the wavelength of light the film collected, etc.) would still be used in unison with newer designs. Even today the job the lens needs to do, the laws of physics, the limits of engineering, as well as the practical considerations of size, weight and cost, means there are many designs available.

Some lens aberration encountered by early photographers
Chromatic aberration
Spherical aberration
Coma
Field curvature

Read more about this topic:  Camera Lens

Famous quotes containing the words history, technical, development, photographic, camera and/or lenses:

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)

    In middle life, the human back is spoiling for a technical knockout and will use the flimsiest excuse, even a sneeze, to fall apart.
    —E.B. (Elwyn Brooks)

    If you complain of people being shot down in the streets, of the absence of communication or social responsibility, of the rise of everyday violence which people have become accustomed to, and the dehumanization of feelings, then the ultimate development on an organized social level is the concentration camp.... The concentration camp is the final expression of human separateness and its ultimate consequence. It is organized abandonment.
    Arthur Miller (b. 1915)

    The photographic image ... is a message without a code.
    Roland Barthes (1915–1980)

    The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
    John Berger (b. 1926)

    Life is a train of moods like a string of beads, and, as we pass through them, they prove to be many-colored lenses which paint the world their own hue, and each shows only what lies in its focus.
    Ralph Waldo Emerson (1803–1882)