Classification of Cadences in Common Practice Tonality With Examples
IAC (V-I progression in C Play) Evaded cadence (V-V42-I6 progression in C Play)In music of the common practice period, cadences are divided into four types according to their harmonic progression: authentic, plagal, half, and deceptive. Typically, phrases end on authentic or half cadences, and the terms plagal and deceptive refer to motion that avoids or follows a phrase-ending cadence. Each cadence can be described using the Roman numeral system of naming chords:
Read more about this topic: Cadence (music)
Famous quotes containing the words common, practice and/or examples:
“There seems to be a common strain of miserliness in the American people when it comes to throwing away toothpaste tubes which have a little left in the bottom.”
—Robert Benchley (1889–1945)
“Nonwhite and working-class women, if they are ever to identify with the organized women’s movement, must see their own diverse experiences reflected in the practice and policy statements of these predominantly white middle-class groups.”
—Kimberly Crenshaw (b. 1959)
“In the examples that I here bring in of what I have [read], heard, done or said, I have refrained from daring to alter even the smallest and most indifferent circumstances. My conscience falsifies not an iota; for my knowledge I cannot answer.”
—Michel de Montaigne (1533–1592)