Editor and Writer
From 1955 onwards he wrote a column for the weekly L'Espresso magazine. He was an active member of the Italian Jewish community, and took part in anti-fascist activities within the Justice and Liberty Action Party. From 1954 until his death in 2000 he was editor of his own magazine L'architettura. Cronache e storia.
The Modern Language of Architecture is one of Zevi’s most significant publications. In this book Zevi sets forth seven principles or “antirules” to codify the language of architecture created by Le Corbusier, Gropius, Mies van der Rohe, and Wright. In place of the classical language of the Beaux Art school, with its focus on abstract principles of order, proportion, and symmetry, he presents an alternative system of communication characterized by a free interpretation of contents and function, an emphasis on difference and dissonance, a dynamic of multidimensional vision, and independent interplay of elements, an organic marriage of engineering and design, a concept of living spaces that are designed for use, and an integration of buildings into their surroundings. Anticipating the innovations of postmodern architecture, Zevi argues forcefully for complexity and against unity, for decomposition dialogue between architecture and historiography, finding elements of the modern language of architecture throughout history, and discussing the process of architectural innovation.
Read more about this topic: Bruno Zevi
Famous quotes containing the words editor and/or writer:
“For a long time I was reporter to a journal, of no very wide circulation, whose editor has never yet seen fit to print the bulk of my contributions, and, as is too common with writers, I got only my labor for my pains. However, in this case my pains were their own reward.”
—Henry David Thoreau (1817–1862)
“The writer probably knows what he meant when he wrote a book, but he should immediately forget what he meant when he’s written it.”
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