British Space Programme in Fiction
Works of science fiction have often described a United Kingdom with an ambitious space programme of its own. Notable fictional depictions of British spacecraft or Britons in space include:
- "How We Went to Mars" by Sir Arthur C. Clarke (Amateur Science Fiction Stories March 1938)
- Dan Dare, Pilot of the Future (comics, 1950–1967, 1980s)
- Journey Into Space (radio, 1953–1955)
- The Quatermass Experiment (television, 1953)
- Blast Off at Woomera by Hugh Walters (1957)
- Doctor Who (television) — "The Ambassadors of Death" (1970), "The Christmas Invasion" (2005)
- The Goodies - "Invasion of the Moon Creatures"(television, 1973)
- Moonbase 3 (television, 1973)
- Come Back Mrs. Noah (television, 1977)
- Star Cops (television, 1987)
- Red Dwarf (television, 1988–1999, 2009)
- Ministry of Space (comics, 2001–2004)
- Hyperdrive (TV series) (television, 2006–2007)
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Famous quotes containing the words british, space, programme and/or fiction:
“Why is it we never get our bad medicine in small doses?”
—Edmund H. North, British screenwriter, and Lewis Gilbert. First Sea Lord (Laurence Naismith)
“Art and power will go on as they have done,will make day out of night, time out of space, and space out of time.”
—Ralph Waldo Emerson (18031882)
“Bolkenstein, a Minister, was speaking on the Dutch programme from London, and he said that they ought to make a collection of diaries and letters after the war. Of course, they all made a rush at my diary immediately. Just imagine how interesting it would be if I were to publish a romance of the Secret Annexe. The title alone would be enough to make people think it was a detective story.”
—Anne Frank (19291945)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)