British Folk Music

British Folk Music

The music of the United Kingdom refers to all forms of music associated with the United Kingdom since its creation.

Throughout its history, the United Kingdom has been a major exporter and source of musical innovation in the modern and contemporary eras, drawing its cultural basis from the history of the United Kingdom, from church music, from Western culture and from the ancient and traditional folk music and instrumentation of England, Scotland, Northern Ireland and Wales. In the 20th century, influences from the music of the United States became most dominant in popular music. This led to the explosion of the British Invasion, while subsequent notable movements in British music include the New Wave of British Heavy Metal and Britpop. The United Kingdom has one of the world's largest music industries today, with many British musicians having had an impact on modern music.

Read more about British Folk Music:  Classical Music, Timeline of British Classical Music, and Its Preceding Forms, Folk Music, Early British Popular Music, Modern British Popular Music

Famous quotes containing the words british, folk and/or music:

    A certain secret jealousy of the British Minister is always lurking in the breast of every American Senator, if he is truly democratic; for democracy, rightly understood, is the government of the people, by the people, for the benefit of Senators, and there is always a danger that the British Minister may not understand this political principle as he should.
    Henry Brooks Adams (1838–1918)

    “I have usually found that there was method in his madness.”
    “Some folk might say there was madness in his method.”
    Sir Arthur Conan Doyle (1859–1930)

    In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.
    Laurence Sterne (1713–1768)