Poetry
Kennelly’s poetry can be scabrous, down-to-earth and colloquial. He avoids intellectual pretension and literary posturing, and his attitude to poetic language could be summed up in the title of one of his epic poems, “Poetry my Arse”. Another long (400 page) epic poem, “The Book of Judas”, published in 1991, topped the Irish bestseller list.
He is a prolific and fluent writer, with more than twenty books of poems to his credit, including My Dark Fathers (1964), Collection One: Getting Up Early (1966), Good Souls to Survive (1967), Dream of a Black Fox (1968), Love Cry (1972), The Voices (1973), Shelley in Dublin (1974), A Kind of Trust (1975), Islandman (1977), A Small Light (1979) and The House That Jack Didn’t Build (1982).
Kennelly is no stranger to literary controversy, particularly in works such as “Cromwell”, about the English Roundhead and Puritan whose army sacked the small Irish town of Drogheda and slaughtered its Royalist garrison and townspeople in 1649.
Kennelly has edited several other anthologies, including “Between Innocence and Peace: Favourite Poems of Ireland” (1993), “Ireland’s Women: Writings Past and Present, with Katie Donovan and A. Norman Jeffares” (1994), and “Dublines,” with Katie Donovan (1995).
He is also the author of two novels, “The Crooked Cross” (1963) and “The Florentines” (1967), and three plays in a Greek Trilogy, Antigone, Medea and The Trojan Women.
Kennelly is an Irish language (Gaelic) speaker, and has translated Irish poems in “A Drinking Cup” (1970) and “Mary” (Dublin 1987). A selection of his collected translations was published as “Love of Ireland: Poems from the Irish” (1989).
Read more about this topic: Brendan Kennelly
Famous quotes containing the word poetry:
“That was a way of putting it not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter”
—T.S. (Thomas Stearns)
“Prose—it might be speculated—is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard. The one is presumably articulate and social, a shared language, the voice of “communication”; the other is private, allusive, teasing, sly, idiosyncratic as the spider’s delicate web, a kind of witchcraft unfathomable to ordinary minds.”
—Joyce Carol Oates (b. 1938)
“The wisest definition of poetry the poet will instantly prove false by setting aside its requisitions.”
—Henry David Thoreau (1817–1862)