Methods of Production
There are several ways to produce breathy-voiced sounds like . One is to hold the vocal cords apart, so that they are lax as they are for, but to increase the volume of airflow so that they vibrate loosely. A second is to bring the vocal cords closer together along their entire length than in voiceless, but not as close as in modally voiced sounds such as vowels. This results in an airflow intermediate between and vowels, and is the case with English intervocalic /h/. A third is to constrict the glottis, but separate the arytenoid cartilages that control one end. This results in the vocal cords being drawn together for voicing in the back, but separated to allow the passage of large volumes of air in the front. This is the situation with Hindi.
The distinction between the latter two of these realizations, vocal cords somewhat separated along their length (breathy voice) and vocal cords together with the arytenoids making an opening (whispery voice), is phonetically relevant in White Hmong.
Read more about this topic: Breathy Voice
Famous quotes containing the words methods of, methods and/or production:
“Methods of thought which claim to give the lead to our world in the name of revolution have become, in reality, ideologies of consent and not of rebellion.”
—Albert Camus (19131960)
“There are souls that are incurable and lost to the rest of society. Deprive them of one means of folly, they will invent ten thousand others. They will create subtler, wilder methods, methods that are absolutely DESPERATE. Nature herself is fundamentally antisocial, it is only by a usurpation of powers that the organized body of society opposes the natural inclination of humanity.”
—Antonin Artaud (18961948)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)