Boz Scaggs - Early Life and Career

Early Life and Career

Scaggs was born in Canton, Ohio, the son of a traveling salesman. The family moved to McAlester, Oklahoma, then to Plano, at that time a Texas farm town just north of Dallas. He attended a Dallas private school, St. Mark's, where a schoolmate gave him the nickname "Bosley"; this was later shortened to "Boz".

After learning guitar at the age of 12, he met Steve Miller at St. Mark's. In 1959, he became the vocalist for Miller's band, The Marksmen. The pair later attended the University of Wisconsin–Madison together, playing in blues bands like The Ardells and The Fabulous Knight Trains.

Leaving school, Scaggs briefly joined the burgeoning rhythm and blues scene in London. After singing in bands such as The Wigs and Mother Earth, he traveled to Sweden as a solo performer, and in 1965 recorded his solo debut album, Boz, which was not a commercial success. Scaggs also had a brief stint with the band The Other Side with Mac MacLeod and fellow American Jack Downing.

Returning to the U.S., Scaggs promptly headed for the booming psychedelic music center of San Francisco in 1967. Linking up with Steve Miller again, he appeared on the Steve Miller Band's first two albums, Children of the Future and Sailor. After being spotted by Rolling Stone publisher Jann Wenner, Scaggs secured a solo contract with Atlantic Records in 1968, releasing his second album, "Boz Scaggs" in 1969.

Read more about this topic:  Boz Scaggs

Famous quotes containing the words early life, early, life and/or career:

    ... goodness is of a modest nature, easily discouraged, and when much elbowed in early life by unabashed vices, is apt to retire into extreme privacy, so that it is more easily believed in by those who construct a selfish old gentleman theoretically, than by those who form the narrower judgments based on his personal acquaintance.
    George Eliot [Mary Ann (or Marian)

    There is a relationship between cartooning and people like Miró and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
    Roy Lichtenstein (b. 1923)

    There was a time when the average reader read a novel simply for the moral he could get out of it, and however naïve that may have been, it was a good deal less naïve than some of the limited objectives he has now. Today novels are considered to be entirely concerned with the social or economic or psychological forces that they will by necessity exhibit, or with those details of daily life that are for the good novelist only means to some deeper end.
    Flannery O’Connor (1925–1964)

    It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.
    Thomas Henry Huxley (1825–95)