Names
It is not clear from which of Tolkien's invented languages the names Alatar and Pallando are derived. A possible translation from Quenya for Alatar is after-comer and could be a reference to his being selected as the second Wizard, after Curunír (Saruman). Alatar could also mean "Noble, great one". Pallando can be translated from Quenya as far one from palan, meaning far or distant.
An alternate set of names in Quenya for both wizards is given in the 1968 The Peoples of Middle-earth as Morinehtar ("Darkness-slayer") and Rómestámo ("East-helper"). Like most names in Tolkien's works, these names are significant. Here, Rómestámo coming from the Quenya word rómen, meaning uprising, sunrise, east incorporates not only his relation to the East of Middle-earth, but also his mission there to encourage uprising and rebellion against Sauron. Tolkien does not make it clear which alternative name belongs to which wizard, however.
In Lord of the Rings Strategy Battle Game, the Blue Wizards are instead named as Naurandir and Sûlrandir - Games Workshop, which created the game, does not have rights to any books other than the Lord of the Rings and the Hobbit, but was allowed to invent their own material to cover such areas.
Read more about this topic: Blue Wizards
Famous quotes containing the word names:
“A knowledge that people live close by is,
I think, enough. And even if only first names are ever exchanged
The people who own them seem rock-true and marvelously self-sufficient.”
—John Ashbery (b. 1927)
“At night thousands of names and slogans are outlined in neon, and searchlight beams often pierce the sky, perhaps announcing a motion picture premiere, perhaps the opening of a new hamburger stand.”
—For the State of California, U.S. public relief program (1935-1943)
“In a time of confusion and rapid change like the present, when terms are continually turning inside out and the names of things hardly keep their meaning from day to day, it’s not possible to write two honest paragraphs without stopping to take crossbearings on every one of the abstractions that were so well ranged in ornate marble niches in the minds of our fathers.”
—John Dos Passos (1896–1970)