Blood Pheasant - Description

Description

Blood pheasants have the size of a small fowl, about 17 in (43 cm) in length with a short convex, very strong black bill, feathered between bill and eye, and a small crest of various coloured feathers. The colour of the plumage above is dark ash, with white shafts, the coverts of the wings various tinged with green, with broad strokes of white through the length of each feather, the feathers of the chin deep crimson; on the breast, belly and sides feathers are lance-shaped, of various length, the tips green with crimson margins, collectively resembling dashes of blood scattered on the breast and belly. The tail consists of twelve sub-equal feathers, shafts white, rounded, the ends whitish, the coverts a rich crimson red.

Both males and females have red feet and a distinct ring of bare skin around the eye that typically is crimson colored, but is orange in a few subspecies. Females are more uniformly colored, being overall dull brown and often with some gray to the nape. Although some of the subspecies that have been described are highly distinctive, others are not, and some variation appears to be clinal. Consequently the number of valid subspecies is disputed, with various authorities recognizing between 11 and 15. They mainly vary in the plumage of the males, especially the amount of red or black to the throat, forehead, neck, chest and tail, and the presence or absence of rufous in the wings.

Read more about this topic:  Blood Pheasant

Famous quotes containing the word description:

    He hath achieved a maid
    That paragons description and wild fame;
    One that excels the quirks of blazoning pens.
    William Shakespeare (1564–1616)

    Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.
    Paul Tillich (1886–1965)

    God damnit, why must all those journalists be such sticklers for detail? Why, they’d hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.
    Lyndon Baines Johnson (1908–1973)