Black Elvis/Lost in Space is the fourth studio album by emcee Kool Keith, but recorded under the alias of Black Elvis. This is the first album performed under this alias. It was intended to be released the same day as First Come, First Served, but was pushed back by Columbia and ended up being released four months later through Relativity Entertainment Distribution rather than Sony Music Distribution, denoted by the WK prefix instead of the customary CK prefix and the legal copy on the release. Kool Keith uses very complex rhymes on various subject matters from Black Elvis' viewpoint on half of the album and on the other half elaborates on space travel and being lost in space. This is the first album for which Keith handled all of the production, although drum programming was done by Kutmasta Kurt and Marc Live.
A promotional video was made for the track "Livin' Astro" which aired on a few episodes of the MTV show Amp in early 2000. The video features Kool Keith acting as several different personas amidst a sci-fi backdrop that resembles the Black Elvis/Lost in Space album cover. The personas include the Original Black Elvis, Orange Man, the Kid in the Commercial, Lonnie Hendricks, and Light-Blue Cop.
Kool Keith was displeased with the lack of promotion for the Black Elvis project, and vented his frustrations about his label on the songs "Release Date" and "Test Press." He also published the e-mail addresses of several Ruffhouse executives, asking his fans to demand better promotion.
Read more about Black Elvis/Lost In Space: Track Listing
Famous quotes containing the words black, elvis, lost and/or space:
“... the black girls didn’t get these pills because their black ministers were up on the pulpit saying that birth control pills were black genocide. What I’m saying is that black men have exploited black women.... They didn’t want them to have any choice about their reproductive health. And if you can’t control your reproduction, you can’t control your life.”
—Joycelyn Elders (b. 1933)
“Commercial to the core, Elvis was the kind of singer dear to the heart of the music business. For him to sing a song was to sell a song. His G clef was a dollar sign.”
—Albert Goldman (b. 1927)
“Half-opening her lips to the frost’s morning sigh, how strangely the rose has smiled on a swift-fleeting day of September!
How audacious it is to advance in stately manner before the blue-tit fluttering in the shrubs that have long lost their leaves, like a queen with the spring’s greeting on her lips;
to bloom with steadfast hope that, parted from the cold flower-bed, she may be the last to cling, intoxicated, to a young hostess’s breast.”
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“But alas! I never could keep a promise. I do not blame myself for this weakness, because the fault must lie in my physical organization. It is likely that such a very liberal amount of space was given to the organ which enables me to make promises, that the organ which should enable me to keep them was crowded out. But I grieve not. I like no half-way things. I had rather have one faculty nobly developed than two faculties of mere ordinary capacity.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)