Birmingham Museum and Art Gallery - Paintings

Paintings

The Art Gallery is most noted for its extensive collections of paintings ranging from the 14th to the 21st century. They include works by the Pre-Raphaelite Brotherhood and the largest collection of works by Edward Burne-Jones in the world. Notable painters in oil include the following:

English School

  • Constable, John - 2 paintings;
  • Cox, David - 11 paintings;
  • Gainsborough, Thomas - 3 paintings;
  • Hogarth, William - 2 paintings;
  • Landseer, Sir Edwin - 1 painting;
  • Lely, Peter - 2 painting;
  • Turner, J M W - 1 painting;
  • Bacon, Francis - 1 painting;
  • Spencer, Stanley - 3 paintings;
  • Lanyon, Peter - 1 painting;
  • Heron, Patrick - 1 painting;
  • Jones, Allen - 1 painting;

Paintings from the Dutch School include a painting each from Jan van Goyen and Willem van de Velde the Younger.

Flemish School

  • Christus, Petrus - 1 painting;
  • Rubens, Peter Paul - 1 painting;

French School

  • Dufrénoy, Georges - 1 painting;
  • Dughet, Gaspard - 1 painting;
  • Gellée, Claude - 2 painting;

Impressionists

  • Degas, Edgar - 1 painting;
  • Pissarro, Camille - 1 painting;
  • Renoir, Pierre Auguste - 1 painting;

German School

  • Zoffany, Johan - 1 painting;

Italian School

  • Batoni, Pompeo - 1 painting;
  • Bellini, Giovanni - 1 painting;
  • Botticelli, Sandro - 1 painting;
  • Canaletto, (Giovanni Antonio Canal) - 2 paintings;
  • Crespi, Giuseppe - 1 painting;
  • Dolci, Carlo - 1 painting;
  • il Garofalo, Benvenuto Tisio - 1 painting;
  • Gentileschi, Orazio - 1 painting;
  • Guardi, Francesco - 1 painting;
  • Guercino, (Giovanni Francesco Barbieri) - 1 painting;
  • Martini, Simone - 1 painting;
  • Reni, Guido - 1 painting;
  • Rosa, Salvator - 1 painting;
  • Schiavone, Andrea - 1 painting;
  • Strozzi, Bernardo - 1 painting;

Spanish School

  • Murillo, Bartolomé-Esteban - 1 painting.

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Famous quotes containing the word paintings:

    The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.
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