Billy Preston - Early Life and Career

Early Life and Career

William Everett Preston was born on September 9, 1946 in Houston, Texas. When he was three, the family moved to Los Angeles where Preston began playing piano while sitting on his mother Robbie's lap. Noted as a child prodigy, by the age of ten, Preston was playing organ onstage backing several gospel singers such as Mahalia Jackson, James Cleveland and Andrae Crouch. At twelve, he appeared in the W.C. Handy biopic starring Nat King Cole entitled, St. Louis Blues, playing W.C. Handy at a younger age. A year prior, Preston appeared on Cole's national TV show singing the Fats Domino hit, "Blueberry Hill".

In 1962, Preston joined Little Richard's band as an organist and it was while performing in Hamburg that Preston met The Beatles. In 1963 he played the organ on Sam Cooke's Night Beat album and released his debut album, 16 yr Old Soul, that same year for Cooke's SAR Records label. In 1965, he released the album The Most Exciting Organ Ever, and that same year played organ and performed on the rock and roll show, Shindig!. In 1967, he joined Ray Charles' band. Following his exposure with Charles, several musicians began asking Preston to come to sessions, most notably The Beatles, who asked him to contribute to two of their albums, Abbey Road and Let It Be.

Read more about this topic:  Billy Preston

Famous quotes containing the words early, life and/or career:

    Two sleepy people by dawn’s early light, and two much in love to say goodnight.
    Frank Loesser (1910–1969)

    You haf slafed your life away in de bosses’ mills and your fadhers before you and your kids after you yet. Vat is a man to do with seventeen-fifty a week? His wife must work nights to make another ten, must vork nights and cook and wash in day an’ vatfor? So that the bosses can get rich an’ the stockholders and bondholders. It is too much... ve stood it before because ve vere not organized. Now we have union... We must all stand together for union.
    John Dos Passos (1896–1970)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)