Biography
Before becoming part of Medeski, Martin & Wood, Martin was part of the New York City Brazilian scene in the 1980s. He performed regularly with Pe De Boi, Batucada and several Bob Moses bands for over a decade. He also joined Chuck Mangione's touring group for three years. Most notably he has developed as a percussionist for The Lounge Lizards and with the John Lurie National Orchestra, and has collaborated with artists such as John Zorn, DJ Logic, Dave Burrell and Miho Hatori. He has also started his own record label, Amulet Records, specializing in eclectic percussion albums. Martin has also collaborated with Iggy Pop, Eyvind Kang, Chris Whitley, DJ Olive, Ikue Mori, John Scofield, Maceo Parker, Calvin Weston, Marty Ehrlich, and Min Xiao-Fen.
Martin also sometimes goes by the moniker Illy B. The most notable releases as Illy B include the Illy B Eats series of breakbeat records. DJ Logic convinced Martin to record a breakbeat album for DJs and other producers to use and remix. At the last minute, Martin decided to place an insert which invited remixers to submit their mixes for a follow up compilation, Drop the Needle.
Along with his percussion work, Martin is a visual artist. He does printmaking, painting, pencil drawings, and pastel drawings, among other mediums. His work has been displayed in several galleries and is also on the packaging of many Medeski Martin & Wood albums, most notably the cover of Shack-man.
2006 was a prolific year for Martin; he created new chamber compositions for John Zorn's Tzadik label, he released Out Louder on MMW's new label Indirecto, he produced many new artworks, and published a drum book entitled Riddim: Clave of African Origin.
Read more about this topic: Billy Martin (percussionist)
Famous quotes containing the word biography:
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“The best part of a writer’s biography is not the record of his adventures but the story of his style.”
—Vladimir Nabokov (1899–1977)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)