Voice
Her distinctive delivery made Billie Holiday's performances instantly recognizable throughout her career. A master of improvisation, Billie's well-trained ear more than compensated for her lack of music education. Her voice lacked range and was somewhat thin, plus years of excessive drug use eventually altered its texture and gave it a prepossessing fragility. The emotion with which she imbued each song remained not only intact but also profound. Her last major recording, a 1958 album entitled Lady in Satin, features the backing of a 40-piece orchestra conducted and arranged by Ray Ellis, who said of the album in 1997:
I would say that the most emotional moment was her listening to the playback of "I'm a Fool to Want You." There were tears in her eyes ... After we finished the album I went into the control room and listened to all the takes. I must admit I was unhappy with her performance, but I was just listening musically instead of emotionally. It wasn't until I heard the final mix a few weeks later that I realized how great her performance really was.Frank Sinatra admired Holiday, having been influenced by her performances on 52nd Street as a young man. He told Ebony in 1958 about her impact:
With few exceptions, every major pop singer in the US during her generation has been touched in some way by her genius. It is Billie Holiday who was, and still remains, the greatest single musical influence on me. Lady Day is unquestionably the most important influence on American popular singing in the last twenty years.Read more about this topic: Billie Holiday
Famous quotes containing the word voice:
“I
Am found.
O let him
Scald me and drown
Me in his world’s wound.
His lightning answers my
Cry. My voice burns in his hand.”
—Dylan Thomas (1914–1953)
“During depression the world disappears. Language itself. One has nothing to say. Nothing. No small talk, no anecdotes. Nothing can be risked on the board of talk. Because the inner voice is so urgent in its own discourse: How shall I live? How shall I manage the future? Why should I go on?”
—Kate Millett (b. 1934)
“The attention of those who frequent the camp-meetings at Eastham is said to be divided between the preaching of the Methodists and the preaching of the billows on the back side of the Cape, for they all stream over here in the course of their stay. I trust that in this case the loudest voice carries it. With what effect may we suppose the ocean to say, “My hearers!” to the multitude on the bank. On that side some John N. Maffit; on this, the Reverend Poluphloisboios Thalassa.”
—Henry David Thoreau (1817–1862)