Audio Recording Career
In 1946, Putnam founded one of America's first independent recording studios, Universal Recording in Chicago. His reputation grew quickly thanks to his work with artists as Patti Page, Vic Damone, Duke Ellington, Count Basie, Sarah Vaughan, Little Walter, and Dinah Washington. His period at Universal saw a number of 'firsts' for the recording industry, including the first use of tape repeat, the first vocal booth, the first multiple voice recording, one of the first to use 8-track recording (preceded by Les Paul and Tom Dowd), the first use of delay lines in the studio, and the first release, in 1956, of half-speed mastered discs (on the Mercury label.)
By the mid-1950s Putnam was one of the most sought-after engineer-producers in the United States, and Universal Recording had become so successful that clients including Nelson Riddle, Mitch Miller and Quincy Jones began urging him to open a facility on the west coast. In 1957, he sold his interest in Universal Recording and with support from Frank Sinatra and Bing Crosby, he established a new company called United Recording Corp. and moved to Hollywood, taking over United Studios at 6050 Sunset Boulevard. Putnam was determined to incorporate as many technological innovations in to the new complex as possible and he constructed new facilities, including a significant expansion of the studio control rooms, which until that time were typically small booths.
When United Recording was founded, stereo recording was still a new innovation and it was considered little more than a novelty by the major record labels. But Putnam foresaw its importance and, at his own expense, he began making simultaneous stereo mixes of recordings produced at United Western and stockpiled these recordings. Around 1962, when stereo was taking off as a consumer audio format, the major labels found themselves without any significant back catalog of stereo recordings, so they offered to buy the stockpile of tapes. However, the canny Putnam cleverly negotiated a far more lucrative deal, whereby he was recompensed for the (much more expensive) studio time used in mixing the stereo versions. According to Putnam's former partner Allen Sides, at this time the studio was bringing in around US$200,000 per month in studio billing (equivalent to perhaps US$1 million per month today).
In 1961, he acquired the neighboring Western Recorders, located at 6000 Sunset, remodeling it and incorporating it into the complex, which was then renamed United Western Recorders. In 1985, Putnam sold the studio to partner Allen Sides, who then renamed it Oceanway Recording.
In 2000, Putnam received a posthumous Special Merit/Technical Grammy Award for his contribution to the music industry.
Read more about this topic: Bill Putnam
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