Further Reading
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- Bayard, Caroline. (1986). "Bill Bissett: Subversion et poesie concrete." Etudes Litteraires vol. 19 no. 2, 81-108.
- Coupal, Michel. (1993). "Quelques aspects de l'identite culturelle canadienne dans l'oeuvre de Bill Bissett." Annales du Centre de Recherches sur l'Amerique No. 18, 47-54, 360. ISSN 0399-0443
- David, Jack. (1977). "Visual Poetry in Canada: Birney, Bissett, and bp." Studies in Canadian Literature vol. 2, 252-66.
- Early, Len. (1976). "Bill Bissett: Poetics, Politics & Vision." Essays on Canadian Writing vol. 4, 4-24.
- Enright, Robert. (1997). "Composition by feeled the visual art of bill bissett." Capilano Review series 2 no. 23, 105-7.
- Maylon, Carol. (1997). "we ar always on th 401: the use of fiction in bissett's poems." Capilano Review series 2 vol. 23, 113-6.
- Pew, Jeff, and Roxborough, Stephen (editors). (2006). radiant danse uv being: A Poetic Portrait of bill bissett. Nightwood Editions. ISBN 0-88971-210-7
- Precosky, Don. (1990). "Bill Bissett: Controversies and Definitions." Canadian Poetry: Studies, Documents, Reviews vol. 27, 15-29.
- Precosky, Don. (1994). "Self selected/selected self: bill bissett's Beyond Even Faithful Legends." Canadian Poetry: Studies, Documents, Reviews vol. 34, 57-78.
- Twigg, Allan. "bissett, bill" on BC Bookworld.
- Wershler-Henry, Darren. (1997). "Vertical excess: what fuckan theory and bill bissett's concrete poetics." Capilano Review series 2 no. 23, 117-24.
- John Barton and Billeh Nickerson (editors). Seminal: The Anthology of Canada's Gay Male Poets. Arsenal Pulp Press. ISBN 978-1-55152-217-3
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