Bill Anschell - Background

Background

Anschell grew up in the Seattle area. He attended Oberlin College and Wesleyan University and graduated Phi Beta Kappa with a music degree from Wesleyan in 1982. At Wesleyan, he studied composition privately with Bill Barron; and South Indian rhythmic theory with T. Ranganathan. He later spent three years in Madison, Wisconsin, where he worked with legendary bassist Richard Davis.

From 1989 to 2002 Anschell was based out of Atlanta. During his first three years there he served as Jazz Coordinator for the Southern Arts Federation, creating a host of regional projects including JazzSouth, a syndicated radio program broadcast on more than 200 stations around the world. Anschell left the SAF Jazz Coordinator post in 1992 to focus on his performing and composing career, but continued to produce JazzSouth through 2002. From 1992 to 2002, Anschell's trio appeared in leading events across the Southeast, including the 1996 Summer Olympic Games, the Atlanta Jazz Festival, and Piccolo Spoleto. In 2001, he was selected by the American Composers Forum for its “Composer-in-the-Schools” program; his residency included a commissioned piece for chamber orchestra.

In 2002 Anschell moved from Atlanta to Seattle, Washington where he performs with both local and visiting jazz legends. In February 2006 he won the "Northwest Jazz Instrumentalist of the Year" Golden Ear Award (Earshot Jazz), and in January 2007 his trio received a Golden Ear as the "Northwest Acoustic Jazz Ensemble of the Year." In January 2011 he was again named "Northwest Jazz Instrumentalist of the Year"; 2012 saw him winning "Northwest Jazz Instrumentalist of the Year" for a third time, and his solo piano CD, "Figments," was named "Northwest Jazz Recording of the Year."

Read more about this topic:  Bill Anschell

Famous quotes containing the word background:

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    ... every experience in life enriches one’s background and should teach valuable lessons.
    Mary Barnett Gilson (1877–?)