Style
Big beat tends to feature distorted, compressed breakbeats at moderate tempos (usually between 120 to 140 beats per minute), acid house-style synthesizer lines, and heavy loops from 60s and 70s funk, jazz, rock, and pop songs. They are often punctuated with punk-style vocals and driven by intense, distorted basslines with conventional pop and techno song structures. Big beat tracks have a sound that includes crescendos, builds, drops, dramatic sound effects, such as explosions or sirens, and extended drum rolls. As with several other dance genres at the time, the use of effects such as filters, phasing, and flanging was commonplace.
Big beat is also often characterized by a strong psychedelic influence comparable to a wide range of artists, from Serge Gainsbourg and Jean-Jacques Perrey to Funkadelic and the acid house movement of the late 1980s. Celebrated instigators of the genre such as Fatboy Slim tend to feature heavily compressed loud breakbeats in their tracks, which are used to define the music as much as any melodic hooks and sampled sounds. Based on the primary use of loud, heavy breakbeats and basslines, big beat shares attributes with jungle and drum and bass, but has a significantly slower tempo.
Read more about this topic: Big Beat
Famous quotes containing the word style:
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)