Style
Big beat tends to feature distorted, compressed breakbeats at moderate tempos (usually between 120 to 140 beats per minute), acid house-style synthesizer lines, and heavy loops from 60s and 70s funk, jazz, rock, and pop songs. They are often punctuated with punk-style vocals and driven by intense, distorted basslines with conventional pop and techno song structures. Big beat tracks have a sound that includes crescendos, builds, drops, dramatic sound effects, such as explosions or sirens, and extended drum rolls. As with several other dance genres at the time, the use of effects such as filters, phasing, and flanging was commonplace.
Big beat is also often characterized by a strong psychedelic influence comparable to a wide range of artists, from Serge Gainsbourg and Jean-Jacques Perrey to Funkadelic and the acid house movement of the late 1980s. Celebrated instigators of the genre such as Fatboy Slim tend to feature heavily compressed loud breakbeats in their tracks, which are used to define the music as much as any melodic hooks and sampled sounds. Based on the primary use of loud, heavy breakbeats and basslines, big beat shares attributes with jungle and drum and bass, but has a significantly slower tempo.
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Famous quotes containing the word style:
“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.”
—Jean-Luc Godard (b. 1930)
“It is the style of idealism to console itself for the loss of something old with the ability to gape at something new.”
—Karl Kraus (1874–1936)
“I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made.”
—Ernest Hemingway (1899–1961)