Bhagwan Gopinath - Philosophy

Philosophy

Bhagwan Gopinath, being an introvert, was a man of few words and had a straightforward demeanor. He is known to have always shunned publicity and covered himself with anonymity. As such, various religious commentators along with his devotees have found it difficult to classify his spiritual journey into a particular school of Indian philosophical thought. Its widely believed that he must have followed the tenets of trika doctrine of advaita (non-dual) Kashmir Shaivism (in which, the Goddess Bhairavi-Aghoreshwari is enthroned above God Bhairava and is the main ideal of worship) with jnana (knowledge), iccha (will) and kriya (action) having had a dominating influence on him.

Once, while explaining the inter-relation of various spiritual disciplines in realising God, he said: " think of Brahman (God without a form) as a tree and if one sits on any one of its branches (various spiritual disciplines), the same goal will be reached in each case." He once remarked: "Omkara (Hindu Symbol) is the "throat" of Godhead and nothing is possible without it". A couple of his pen-drawings have been found in which he has drawn the symbol Omkara (in Sharada script) surrounded by the names "Rama" and "Shiva" probably indicating that God (in the form of Omkara) can be realised thru either paths. Once, while visiting the shrine of Amarnath, he is said to have remarked: "Shiva is dancing everywhere" and afterwards, was seen in a joyful mood the whole day.

He would keep incense sticks burning in flames instead of letting them smoulder as he had an affinity for light sources. Sometimes he would also keep the oblations, offered in the fire pot, burning in flames and also referred to it as the "feet" of Lord Narayan. He would refer to his legs as mere "logs of wood" and the body as "food" for the God of death (Mahakal) and as such didn't consider physical body as the end-all be-all of human existence.

He wouldn't advise anyone to give up one's family and household in pursuit of self-realisation but guided people only if they practised celibacy.

Gathering from various hymns written by him, it is evident that he had an inclination towards Bhakti tradition as well, which is also indicated by his fondness for Indian classical music and the pictures of Guru Nanak and Ramakrishna that adorned his walls.