Voice
Sills's voice has been described at the same time "rich, supple", "silvery", "precise, a little light", "multicolored", "robust and enveloping", with "a cutting edge that can slice through the largest orchestra and chorus," soaring easily above high C. Her technique and musicianship are very praised. Conductor Thomas Schippers said in a 1971 interview with Time that she had "the fastest voice alive." The New York Times writes that "she could dispatch coloratura roulades and embellishments, capped with radiant high D's and E-flats, with seemingly effortless agility. She sang with scrupulous musicianship, rhythmic incisiveness and a vivid sense of text." Soprano Leontyne Price was "flabbergasted at how many millions of things she can do with a written scale." Her vocal range, in performance, extended from F3 to F6, and she said she could sometimes hit a G6 in warm up.
Read more about this topic: Beverly Sills
Famous quotes containing the word voice:
“O make harmonious mix of voice and string
To him by whom the skies with clouds are lin’d;
By whom the rain, from clouds to drop assign’d,
Supples the clods of summer-scorched fields,”
—Bible: Hebrew Psalm CXLVII (Paraphrased by The Countess of Pembroke)
“With fingers weary and worn,
With eyelids heavy and red,
A woman sat, in unwomanly rags,
Plying her needle and thread—
Stitch! stitch! stitch!
In poverty, hunger and dirt
And still with a voice of dolorous pitch
She sang the “Song of the Shirt.””
—Thomas Hood (1799–1845)
“These marbles, the works of the dreamers and idealists of old, live on, leading and pointing to good. They are the works of visionaries and dreamers, but they are realizations of soul, the representations of the ideal. They are grand, beautiful, and true, and they speak with a voice that echoes through the ages. Governments have changed; empires have fallen; nations have passed away; but these mute marbles remain—the oracles of time, the perfection of art.”
—Herman Melville (1819–1891)