Reception
Howard Thompson gave the film a mostly negative review in The New York Times, comparing it unfavorably to Circus of Horrors, but also commented, "It's also hard to make a hopeless movie with a circus background and sawdust aroma. This is the one solid thing the picture has going for it—the intriguing workaday routine of circus folk and some good, spangly ring acts, all handsomely conveyed in excellent color photography. And under the reasonable direction of Jim O'Connolly, the film does project a kind of defiant suspense that dares you not to sit there, see who gets it next and, finally, why." He goes on to state that Crawford "...is professional as usual and certainly the shapeliest ringmaster ever to handle a ring microphone."
Frank Leyendecker in Greater Amusements wrote, "Joan Crawford gives authority and extreme conviction to the colorful role of a circus owner and ringmaster...she consistently rises above the highly melodramatic, yet exploitable, material."
Lawrence Quirk wrote in Hollywood Screen Parade, " is all over the picture, radiant, forceful, authoritative, a genuine movie star whose appeal never diminishes."
Read more about this topic: Berserk!
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)