Concert Works
- The Forest: Tone poem for Large Orchestra (1929)
- November Dusk: Tone Poem for Large Orchestra (1929)
- Tempest and Storm: Furies Shrieking!: for Piano (1929)
- The Dancing Faun and The Bells: Two Songs for Medium Voice and Small Chamber Orchestra (1929)
- Requiescat: Violin and Piano (1929)
- Twilight: Violin and Piano (1929)
- March Militaire (1932), ballet music for Americana Revue (1932)
- Aria for Flute and Harp (1932)
- Variations on "Deep River" and "Water Boy" (1933)
- Prelude to Anathema: for Fifteen Instruments (1933)
- Silent Noon: for Fourteen Instruments (1933)
- The Body Beautiful (1935), music from the Broadway play
- Nocturne and Scherzo (1935)
- Sinfonietta for Strings (1935)
- Currier and Ives Suite (1935)
- Violin Concerto: Unfinished (1937)
- Moby Dick: Cantata (1937)
- Johnny Appleseed: Unfinished Cantata (1940)
- Symphony (1941)
- The Fantasticks (1942)
- The Devil and Daniel Webster Suite (1942)
- For the Fallen (1943)
- Welles Raises Kane (1943)
- Echoes: String Quartet (1965)
- Souvenirs de Voyage (1967)
Read more about this topic: Bernard Herrmann
Famous quotes containing the words concert and/or works:
“Proportion ... You can’t help thinking about it in these London streets, where it doesn’t exist.... It’s like listening to a symphony of cats to walk along them. Senseless discords and a horrible disorder all the way.... A concert of Brobdingnagian cats. Order has been turned into a disgusting chaos. We need no barbarians from outside; they’re on the premises, all the time.”
—Aldous Huxley (1894–1963)
“Great works constructed there in nature’s spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.”
—William Butler Yeats (1865–1939)