Concert Works
- The Forest: Tone poem for Large Orchestra (1929)
- November Dusk: Tone Poem for Large Orchestra (1929)
- Tempest and Storm: Furies Shrieking!: for Piano (1929)
- The Dancing Faun and The Bells: Two Songs for Medium Voice and Small Chamber Orchestra (1929)
- Requiescat: Violin and Piano (1929)
- Twilight: Violin and Piano (1929)
- March Militaire (1932), ballet music for Americana Revue (1932)
- Aria for Flute and Harp (1932)
- Variations on "Deep River" and "Water Boy" (1933)
- Prelude to Anathema: for Fifteen Instruments (1933)
- Silent Noon: for Fourteen Instruments (1933)
- The Body Beautiful (1935), music from the Broadway play
- Nocturne and Scherzo (1935)
- Sinfonietta for Strings (1935)
- Currier and Ives Suite (1935)
- Violin Concerto: Unfinished (1937)
- Moby Dick: Cantata (1937)
- Johnny Appleseed: Unfinished Cantata (1940)
- Symphony (1941)
- The Fantasticks (1942)
- The Devil and Daniel Webster Suite (1942)
- For the Fallen (1943)
- Welles Raises Kane (1943)
- Echoes: String Quartet (1965)
- Souvenirs de Voyage (1967)
Read more about this topic: Bernard Herrmann
Famous quotes containing the words concert and/or works:
“Proportion ... You can’t help thinking about it in these London streets, where it doesn’t exist.... It’s like listening to a symphony of cats to walk along them. Senseless discords and a horrible disorder all the way.... A concert of Brobdingnagian cats. Order has been turned into a disgusting chaos. We need no barbarians from outside; they’re on the premises, all the time.”
—Aldous Huxley (1894–1963)
“When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
—Ralph Waldo Emerson (1803–1882)