Bernard Herrmann - Concert Works

Concert Works

  • The Forest: Tone poem for Large Orchestra (1929)
  • November Dusk: Tone Poem for Large Orchestra (1929)
  • Tempest and Storm: Furies Shrieking!: for Piano (1929)
  • The Dancing Faun and The Bells: Two Songs for Medium Voice and Small Chamber Orchestra (1929)
  • Requiescat: Violin and Piano (1929)
  • Twilight: Violin and Piano (1929)
  • March Militaire (1932), ballet music for Americana Revue (1932)
  • Aria for Flute and Harp (1932)
  • Variations on "Deep River" and "Water Boy" (1933)
  • Prelude to Anathema: for Fifteen Instruments (1933)
  • Silent Noon: for Fourteen Instruments (1933)
  • The Body Beautiful (1935), music from the Broadway play
  • Nocturne and Scherzo (1935)
  • Sinfonietta for Strings (1935)
  • Currier and Ives Suite (1935)
  • Violin Concerto: Unfinished (1937)
  • Moby Dick: Cantata (1937)
  • Johnny Appleseed: Unfinished Cantata (1940)
  • Symphony (1941)
  • The Fantasticks (1942)
  • The Devil and Daniel Webster Suite (1942)
  • For the Fallen (1943)
  • Welles Raises Kane (1943)
  • Echoes: String Quartet (1965)
  • Souvenirs de Voyage (1967)

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Famous quotes containing the words concert and/or works:

    “Science is unflinchingly deterministic, and it has begun to force its determinism into morals. On some shining tomorrow a psychoanalyst may be put into the box to prove that perjury is simply a compulsion neurosis, like beating time with the foot at a concert or counting the lampposts along the highway.”
    —H.L. (Henry Lewis)

    “Nature is so perfect that the Trinity couldn’t have fashioned her any more perfect. She is an organ on which our Lord plays and the devil works the bellows.”
    —Johann Wolfgang Von Goethe (1749–1832)