Concert Works
- The Forest: Tone poem for Large Orchestra (1929)
- November Dusk: Tone Poem for Large Orchestra (1929)
- Tempest and Storm: Furies Shrieking!: for Piano (1929)
- The Dancing Faun and The Bells: Two Songs for Medium Voice and Small Chamber Orchestra (1929)
- Requiescat: Violin and Piano (1929)
- Twilight: Violin and Piano (1929)
- March Militaire (1932), ballet music for Americana Revue (1932)
- Aria for Flute and Harp (1932)
- Variations on "Deep River" and "Water Boy" (1933)
- Prelude to Anathema: for Fifteen Instruments (1933)
- Silent Noon: for Fourteen Instruments (1933)
- The Body Beautiful (1935), music from the Broadway play
- Nocturne and Scherzo (1935)
- Sinfonietta for Strings (1935)
- Currier and Ives Suite (1935)
- Violin Concerto: Unfinished (1937)
- Moby Dick: Cantata (1937)
- Johnny Appleseed: Unfinished Cantata (1940)
- Symphony (1941)
- The Fantasticks (1942)
- The Devil and Daniel Webster Suite (1942)
- For the Fallen (1943)
- Welles Raises Kane (1943)
- Echoes: String Quartet (1965)
- Souvenirs de Voyage (1967)
Read more about this topic: Bernard Herrmann
Famous quotes containing the words concert and/or works:
“Man is head, chest and stomach. Each of these animals operates, more often than not, individually. I eat, I feel, I even, although rarely, think.... This jungle crawls and teems, is hungry, roars, gets angry, devours itself, and its cacophonic concert does not even stop when you are asleep.”
—René Daumal (1908–1944)
“We ourselves are Jews by birth and not Gentile sinners; yet we know that a person is justified not by the works of the law but through faith in Jesus Christ. And we have come to believe in Christ Jesus, so that we might be justified by faith in Christ, and not by doing the works of the law, because no one will be justified by the works of the law.”
—Bible: New Testament, Galatians 2:15-16.