Benn Jordan - Musical Style

Musical Style

As The Flashbulb, Jordan typically releases electronic or cinematic styled music. His style differs strongly between albums, but they all have a cohesive bond tied around fast drum programming, jazz-influenced melodies, and a wide array of live instrumentation from various instruments Jordan has acquired. He also often records his melodies through MIDI-synced guitars. His guitar style and skill has gained attention because he typically plays it strung backwards, and makes heavy use of fast sweeping and tapping. More recent Flashbulb albums have featured violinist Greg Hirte, who is featured heavily on The Flashbulb's 2008 album, Soundtrack to a Vacant Life, as well. Soundtrack to a Vacant Life is, as Jordan stated in a 2008 interview, a step away from the breakcore genre. He also said that this step is likely to be a permanent trend in the direction of his music, a move that was supported by releases under his own name, such as Pale Blue Dot (album) and Louisiana Mourning. However, his upcoming 2012 album "Hardscrabble," slated for release on Alphabasic in October, represents a return to the harder electronic music heard on releases like Kirlian Selections or Flexing Habitual. The record is named for an area within the Bridgeport neighborhood of Jordan's own Chicago. Alphabasic stated that the album would be an "unexpected return to more challenging and hyper-creative endeavors."

Under other aliases, Benn Jordan's work varies quite a bit. His Acidwolf and Human Action Network aliases feature retro acid music that uses old drum machines such as the TR-808 and relies heavily on the melodies of the TB-303. Tracks made under the FlexE alias tend to be laid-back and classic acid. According to him, he showcases his more fundamental, classical, and personal pieces under his own name, Benn Jordan.

Read more about this topic:  Benn Jordan

Famous quotes containing the words musical and/or style:

    Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?”
    Marcel Proust (1871–1922)

    We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.
    Henry David Thoreau (1817–1862)