Basilica of St. Hyacinth - Architecture

Architecture

The church was designed by the architectural firm of Worthmann and Steinbach who built many of the magnificent Polish Cathedrals in Chicago. The church structure—a red-brick edifice in the Classical Revival style has an ornate interior of Baroque influence. Ground breaking occurred on April 30, 1917 and the cornerstone was laid on October 21, 1917. Completion of the building was delayed for years by financial and construction difficulties, with the first Mass celebrated in the structure not taking place until August 7, 1921. Official dedication occurred on October 16, 1921 with Archbishop Cardinal George W. Mundelein presiding.

St. Hyacinth's recognizable three-towered façade is rarely seen in American church architecture as well as the Baroque period that its style is modeled on. The church bells are a product of the McShoe Bell Foundry of Baltimore, Maryland were blessed and placed in the steeples in April 1924. St. Hyacinth's bears a striking similarity to St. Mary of the Angels, which was designed by the same architects at about the same time and use the same combination of stone, glazed terra-cotta and brick. Also like at St. Mary of the Angels, much of the church's interior was decorated by John Anton Mallin, who decorated many other churches in Illinois, with two years of planning and another two years to execute the project. St. Hyacinth's is also home to the masterworks of such renowned painters as Thaddeus von Zukotynski and Mary Stanisia. Beginning in the mid-1990s, and taking almost a decade, the interior was renewed thoroughly, much of the mural work being performed by Conrad Schmitt Studios, Inc., of Wisconsin.

The Stained Glass Windows have been identified as prepared by Meyer Co. of Munich, Georgia and some by the Zettler Co. of New York were installed in 1921. The Church's organ is a mid-sized Kilgen organ (of St. Louis, Missouri) with 34 ranks was likewise installed in the church in 1921. The Stations of the Cross were likely assembled in Austria in the 1830s.

A number of statues are found within the basilica's interior. A bas-relief of St. Hyacinth hangs above the main altar, as well as full statues of St. Peter and St. Paul. Figures of the Sacred Heart of Jesus and the Blessed Mother (Immaculate Conception) are found at lesser side altars along with a figure of Our Lady of Sorrows as a Pietà in the church's eastern alcove. Additionally, sculptures of St. Joseph, St. Ann, the Infant of Prague, St. Maximilian Kolbe, St. Francis of Assisi, St. Anthony of Padua, St. Barbara and St. Therese of Lisieux are spread throughout the sanctuary.

The large saucer dome which hangs over the church's crossing has a gigantic mural covering some 3,000 square feet (280 m2) with over 150 figures, depicting saints, clergy and laity.

A large icon of Our Lady of Częstochowa that was brought in from Poland occupies the shrine in the basilica's western transept. The icon, which had been blessed by Pope John Paul II is crowned in keeping with Roman Catholic tradition, with the Virgin Mary's crown measuring nearly a foot long while the infant Jesus's crown being slightly smaller in size, each one bookended by bas-relief sculpted angels. Both crowns were crafted by Adam and Kathy Karbownik who melted down the gold and set the gemstones in them, while the jewelry used in the crowns was donated by thousands of parishioners with the gold alone weighed in at ten pounds

Three pairs of monumental bronze doors were hung along the main entrance at the basilica's northern end by famed Polish sculptor Professor Czesław Dźwigaj, well known for also casting the monument of Christ the King in Cicero in front of the church of St. Mary of Częstochowa as well as the Tolerance Monument that was recently unveiled in Jerusalem.

Monuments to Pope John Paul II, Father Jerzy Popiełuszko, as well as a memorial to parishioners who served in the Blue Army during World War I can be found in the neighboring 'Garden of Memory'.