Career
He is best known for his role as the sniper Private Daniel Jackson in Saving Private Ryan. Barry Pepper also portrayed a prison guard Dean Stanton in The Green Mile, appeared as Frank Slaughtery in Spike Lee's 25th Hour, as journalist Joseph L. Galloway in We Were Soldiers, his leading role in the film Battlefield Earth, his depiction of Roger Maris in Billy Crystal's HBO film 61*, as Dale Earnhardt in the ESPN produced film 3: The Dale Earnhardt Story, and as Dan Morris in the film Seven Pounds, with Will Smith. He recently had roles in Casino Jack and the Coen Brothers True Grit. Pepper provided the voice for Alex Mercer, the protagonist of the video game Prototype and the voice for Corporal Dunn, a character in the video game Call of Duty: Modern Warfare 2.
Pepper won the Razzie Award for Worst Supporting Actor for his performance in Battlefield Earth: A Saga of the Year 3000. He has stated that, had he known he was going to win the award in advance, he would have gladly accepted it in person.
Pepper will star in psychological thriller Frost Road which is being directed by Call of Duty creator Keith Arem.
He also appeared in Jagged Edge's music video for "Goodbye".
He recently starred as Robert F. Kennedy in the Canadian-American TV mini-series The Kennedys, for which he won the Primetime Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
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Famous quotes containing the word career:
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)