Baby Blue in Human Culture
Gender
- In Western culture, the color baby blue is often associated with baby boys (and baby pink for baby girls), particularly in clothing and linen and shoes. This is a recent tradition, however, and until the 1940s the convention was exactly the opposite: pink was considered the appropriate color for boys as the more masculine and "decided" while blue was the more delicate and dainty color and therefore appropriate for girls.
Law enforcement
- In the late 1960s, New Age philosopher Alan Watts, who lived in Sausalito, a suburb of San Francisco, suggested that police cars be painted baby blue and white instead of black and white. This proposal was implemented in San Francisco in the late 1970s. (In the late 1980s, the police cars of the San Francisco Police Department were repainted the usual black and white.) Watts also suggested that the police should wear baby blue uniforms because, he asserted, this would make them less likely to commit acts of police brutality than if they were wearing the usual dark blue uniforms. This proposal was never implemented.
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Famous quotes containing the words baby, blue, human and/or culture:
“Your old skin puckering, your lungs’ breath
Grown baby short as you looked up last
At my face swinging over the human bed,
And somewhere you cried, let me go let me go.”
—Anne Sexton (1928–1974)
“Oh, Scott, for people like you and me the world can be a wonderful place. The sky’s as blue as it is for the giants, the friends are as warm.”
—Richard Matheson (b. 1926)
“I can’t make head or tail of Life. Love is a fine thing, Art is a fine thing, Nature is a fine thing; but the average human mind and spirit are confusing beyond measure. Sometimes I think that all our learning is the little learning of the maxim. To laugh at a Roman awe-stricken in a sacred grove is to laugh at something today.”
—Wallace Stevens (1879–1955)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)