Music
The soundtrack has seven songs composed by Anand-Milind and authored by Sameer. The music was hugely popular when it released and enjoys the honour of being played on radio stations even today. The most popular song of this film is "Chandini Raat Hain," rendered by Kavita Krishnamurthy and Abhijeet Bhattacharya, who was re-launched by Anand-Milind with this film. Abhijeet and Anand-Milind went on to record several songs together since. The songs "Tapori" and "Chandni Raat Hai" were lifted from Illayaraja's movies, Agni Natchathiram and Pudhu Pudhu Arthangal respectively.
However, a minor controversy arose when singer Amit Kumar was mistakenly nominated for "Chandini Raat Hai" at the Filmfare awards ceremony. Anand-Milind were nominated at the Filmfare awards for Best Music but lost out to Nadeem-Shravan for Aashiqui.
| # | Title | Singer(s) | Length |
|---|---|---|---|
| 1 | "Ek Chanchal Shokh Haseena" | Abhijeet | 06:40 |
| 2 | "Kaisa Lagta Hai" | Amit Kumar & Anuradha Paudwal | 06:33 |
| 3 | "Chandni Raat Hai" | Abhijeet & Kavita Krishnamurthy | 04:59 |
| 4 | "Tapori" | Amit Kumar & Anand Chitragupt | 05:29 |
| 5 | "Har Kasam Se Badi Hai" | Abhijeet & Kavita Krishnamurthy | 05:59 |
| 6 | "Maang Teri Saja Doon Mein" | Amit Kumar | 01:29 |
| 7 | "Saajan O Saajan" | Pramila Gupta | 04:52 |
Read more about this topic: Baaghi: A Rebel For Love
Famous quotes containing the word music:
“A woman’s two cents worth is worth two cents in the music business.”
—Loretta Lynn (b. 1930)
“So gladly, from the songs of modern speech
Men turn, and see the stars, and feel the free
Shrill wind beyond the close of heavy flowers,
And through the music of the languid hours,
They hear like ocean on a western beach
The surge and thunder of the Odyssey.”
—Andrew Lang (1844–1912)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)