Avital Ronell

Works

(2012) Loser Sons, (ISBN 0-252-03664-6)
(2011) "The Tactlessness of an Unending Fadeout," in Writing Death (ISBN 978-90-817091-0-1) by Jeremy Fernando, Foreword by Avital Ronell
(2010) Fighting Theory: In Conversation with Anne Dufourmantelle, (ISBN 0-252-07623-0) trans. by Catherine Porter and Avital Ronell from French
(2007) The UberReader, (ISBN 0-252-07311-8 ) (ed. Diane Davis)
(2007) Blind Date: Sex and Philosophy, (ISBN 0-252-07488-2) (by Anne Dufourmantelle, Introduction by Avital Ronell) trans. by Catherine Porter
(2006) "Kathy Goes to Hell," in Lust for Life: On the Writings of Kathy Acker, (ISBN 1-844-67066-X), ed. by Avital Ronell, Carla Harryman, and Amy Scholder
(2006) American philo: Entretiens avec Avital Ronell, (ISBN 2-234-05840-6) interviewed by Anne Dufourmantelle
(2005) The Test Drive, (ISBN 0-252-02950-X)
(2004) Scum Manifesto, (ISBN 1-85984-553-3) (by Valerie Solanas, Introduction by Avital Ronell)
(2001) Stupidity, (ISBN 0-252-07127-1)
(1998) Finitude's Score, (ISBN 0-8032-8949-9)
(1993) Crack Wars: Literature, Addiction, Mania, (ISBN 0-252-07190-5)
(1991) "Avital Ronell," in Re/Search: Angry Women 13, (ISBN 1-890451-05-3) interview with Andrea Juno
(1989) The Telephone Book: Technology, Schizophrenia, Electric Speech, (ISBN 0-8032-8938-3)
(1989) The Ear of the Other, (ISBN 0-8032-6575-1) trans., Jacques Derrida
(1986) Dictations: On Haunted Writing, (ISBN 0-8032-8945-6)
(1982) "La bouche émissaire," in Cahiers confrontation, n° 8

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“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)

“The man who builds a factory builds a temple, that the man who works there worships there, and to each is due, not scorn and blame, but reverence and praise.”
—Calvin Coolidge (1872–1933)

“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)

Avital Ronell - Works

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