Avital Ronell - Works

Works

  • (2012) Loser Sons, (ISBN 0-252-03664-6)
  • (2011) "The Tactlessness of an Unending Fadeout," in Writing Death (ISBN 978-90-817091-0-1) by Jeremy Fernando, Foreword by Avital Ronell
  • (2010) Fighting Theory: In Conversation with Anne Dufourmantelle, (ISBN 0-252-07623-0) trans. by Catherine Porter and Avital Ronell from French
  • (2007) The UberReader, (ISBN 0-252-07311-8 ) (ed. Diane Davis)
  • (2007) Blind Date: Sex and Philosophy, (ISBN 0-252-07488-2) (by Anne Dufourmantelle, Introduction by Avital Ronell) trans. by Catherine Porter
  • (2006) "Kathy Goes to Hell," in Lust for Life: On the Writings of Kathy Acker, (ISBN 1-844-67066-X), ed. by Avital Ronell, Carla Harryman, and Amy Scholder
  • (2006) American philo: Entretiens avec Avital Ronell, (ISBN 2-234-05840-6) interviewed by Anne Dufourmantelle
  • (2005) The Test Drive, (ISBN 0-252-02950-X)
  • (2004) Scum Manifesto, (ISBN 1-85984-553-3) (by Valerie Solanas, Introduction by Avital Ronell)
  • (2001) Stupidity, (ISBN 0-252-07127-1)
  • (1998) Finitude's Score, (ISBN 0-8032-8949-9)
  • (1993) Crack Wars: Literature, Addiction, Mania, (ISBN 0-252-07190-5)
  • (1991) "Avital Ronell," in Re/Search: Angry Women 13, (ISBN 1-890451-05-3) interview with Andrea Juno
  • (1989) The Telephone Book: Technology, Schizophrenia, Electric Speech, (ISBN 0-8032-8938-3)
  • (1989) The Ear of the Other, (ISBN 0-8032-6575-1) trans., Jacques Derrida
  • (1986) Dictations: On Haunted Writing, (ISBN 0-8032-8945-6)
  • (1982) "La bouche émissaire," in Cahiers confrontation, n° 8

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    “There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
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    “I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
    —George Bernard Shaw (1856–1950)

    “Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
    —Rebecca West (1892–1983)