Music
The project is described as a "Metal Opera" because it has an underlying plot and each role has its own singer, though it's not an opera by the classical definition, but rather a collection of pieces, which refer to the individual points of the plot printed in the booklet.
From a stylistic view, the majority of the songs are melodic power metal meshed with a voluminous sound, many orchestral passages and choral parts, gaining Avantasia recognition as symphonic power metal. One song from each part, "Inside" and "In Quest For" respectively, is accompanied almost exclusively by piano. The first part also contains three short instrumental pieces.
The most complex piece is the first song of Part II, "The Seven Angels", featuring seven of the eleven singers. The song is over 14 minutes long and contains a classical "stanza/refrain" part, two guitar solos, choirs, a passage with piano accompaniment, and an epic finale. It also plays an important part in the plot, as it serves as summation of the first part, and has caused discussion due to the inclusion of lyrics not printed in the booklet.
Read more about this topic: Avantasia (story)
Famous quotes containing the word music:
“It was a poetic recreation to watch those distant sails steering for half-fabulous ports, whose very names are a mysterious music to our ears.... It is remarkable that men do not sail the sea with more expectation. Nothing was ever accomplished in a prosaic mood.”
—Henry David Thoreau (1817–1862)
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“Who that has heard a strain of music feared then lest he should speak extravagantly any more forever?”
—Henry David Thoreau (1817–1862)