Audio Engineering - Recording Engineers of Note

Recording Engineers of Note

List
  • Steve Albini
  • Billy Anderson
  • Jim Anderson
  • Michael J. Bishop
  • Bill Bottrell
  • David Bottrill
  • Chuck Britz
  • Terry Brown
  • John Burns
  • Dru Castro
  • Fred Catero
  • Roy Cicala
  • Bob Clearmountain
  • Terry Date
  • Rhett Davies
  • Nick Davis
  • Tom Dowd
  • Mark "Flood" Ellis
  • Geoff Emerick
  • Jack Endino
  • Bob Ezrin
  • Dave Fridmann
  • Rudy Van Gelder
  • Nigel Godrich
  • Doug Grean
  • James Guthrie
  • Mick Guzauski
  • Roy Halee
  • David Hentschel
  • Bones Howe
  • Andrew Jackson
  • Andy Johns
  • Glyn Johns
  • Leslie Ann Jones
  • Neil Kernon
  • Eddie Kramer
  • Greg Ladanyi
  • James Lock
  • Chris Lord-Alge
  • Tom Lord-Alge
  • Tony Maserati
  • George Massenburg
  • Yuri Morozov
  • Jack Mullin
  • Evgeny Murzin
  • Roger Nichols
  • Gary Paczosa
  • Hugh Padgham
  • Robert Parker
  • Alan Parsons
  • Les Paul
  • Lynn Peterzell
  • Tony Platt
  • Resul Pookutty
  • Bill Porter
  • Bill Putnam
  • Phil Ramone
  • Emitt Rhodes
  • Bruce Robb (producer)
  • Susan Rogers
  • Scott Salem
  • Elliot Scheiner
  • Al Schmitt
  • Ken Scott
  • Eberhard Sengpiel
  • Norman Smith
  • Andy Sneap
  • H. Sridhar
  • Chris Steinmetz
  • Neil Strauch
  • Stephen Street
  • Bruce Swedien
  • Bill Szymczyk
  • Mike Terry
  • Devin Townsend
  • Ken Townshend
  • Phil Thornalley
  • John Travis
  • Robert Venable
  • Andy Wallace
  • Kenneth Wilkinson

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Famous quotes containing the words recording and/or note:

    “Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
    —Henry David Thoreau (1817–1862)

    “What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
    —Jean Cocteau (1889–1963)