Production Figures
| A1 | A2 | A3 | A4 | A5 | A6 | A7 | A8 | Q3 | Q5 | Q7 | TT | R8 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1998 | — | — | 143,974 | 271,152 | — | 174,867 | — | 15,355 | — | — | — | 13,682 | — |
| 1999 | — | — | 143,505 | 252,514 | — | 162,573 | — | 14,636 | — | — | — | 52,579 | — |
| 2000 | — | 32,164 | 136,141 | 231,869 | — | 180,715 | — | 12,894 | — | — | — | 56,776 | — |
| 2001 | — | 49,369 | 131,082 | 308,778 | — | 186,467 | — | 11,708 | — | — | — | 39,349 | — |
| 2002 | — | 37,578 | 125,538 | 360,267 | — | 178,773 | — | 10,942 | — | — | — | 34,711 | — |
| 2003 | — | 27,323 | 159,417 | 353,836 | — | 168,612 | — | 21,748 | — | — | — | 32,337 | — |
| 2004 | — | 19,745 | 181,274 | 345,231 | — | 195,529 | — | 22,429 | — | — | — | 23,605 | — |
| 2005 | — | 10,026 | 224,961 | 337,705 | — | 215,437 | — | 21,515 | — | — | 1,185 | 12,307 | — |
| 2006 | — | — | 231,752 | 341,110 | 487 | 229,021 | — | 22,468 | — | — | 72,169 | 23,675 | 164 |
| 2007 | — | — | 231,117 | 289,806 | 25,549 | 243,842 | — | 22,182 | — | 162 | 77,395 | 56,766 | 4,125 |
| 2008 | — | — | 222,164 | 378,885 | 57,650 | 214,074 | — | 20,140 | — | 20,324 | 59,008 | 41,789 | 5,656 |
| 2009 | — | — | 206,747 | 282,033 | 84,883 | 182,090 | — | 8,599 | — | 105,074 | 27,929 | 22,821 | 2,101 |
| 2010 | 51,937 | — | 198,974 | 306,291 | 111,270 | 211,256 | 8,496 | 22,435 | — | 154,604 | 48,937 | 26,217 | 3,485 |
- Data from 1998 to 2010. Figures for different body types/versions of models have been merged to create overall figures for each model.
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Famous quotes containing the words production and/or figures:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)
“I will stand on, and continue to use, the figures I have used, because I believe they are correct. Now, Im not going to deny that you dont now and then slip up on something; no one bats a thousand.”
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