Audi - Production Figures

Production Figures

	A1	A2	A3	A4	A5	A6	A7	A8	Q3	Q5	Q7	TT	R8
1998	—	—	143,974	271,152	—	174,867	—	15,355	—	—	—	13,682	—
1999	—	—	143,505	252,514	—	162,573	—	14,636	—	—	—	52,579	—
2000	—	32,164	136,141	231,869	—	180,715	—	12,894	—	—	—	56,776	—
2001	—	49,369	131,082	308,778	—	186,467	—	11,708	—	—	—	39,349	—
2002	—	37,578	125,538	360,267	—	178,773	—	10,942	—	—	—	34,711	—
2003	—	27,323	159,417	353,836	—	168,612	—	21,748	—	—	—	32,337	—
2004	—	19,745	181,274	345,231	—	195,529	—	22,429	—	—	—	23,605	—
2005	—	10,026	224,961	337,705	—	215,437	—	21,515	—	—	1,185	12,307	—
2006	—	—	231,752	341,110	487	229,021	—	22,468	—	—	72,169	23,675	164
2007	—	—	231,117	289,806	25,549	243,842	—	22,182	—	162	77,395	56,766	4,125
2008	—	—	222,164	378,885	57,650	214,074	—	20,140	—	20,324	59,008	41,789	5,656
2009	—	—	206,747	282,033	84,883	182,090	—	8,599	—	105,074	27,929	22,821	2,101
2010	51,937	—	198,974	306,291	111,270	211,256	8,496	22,435	—	154,604	48,937	26,217	3,485

Data from 1998 to 2010. Figures for different body types/versions of models have been merged to create overall figures for each model.

Famous quotes containing the words production and/or figures:

“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

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