Attention - Overt and Covert Attention

Overt and Covert Attention

Attention may be differentiated according to its status as "overt" versus "covert". Overt attention is the act of directing sense organs towards a stimulus source. Covert attention is the act of mentally focusing on one of several possible sensory stimuli. Covert attention is thought to be a neural process that enhances the signal from a particular part of the sensory panorama. (e.g. While reading, shifting overt attention would amount to movement of eyes to read different words, but covert attention shift would occur when you shift your focus from semantic processing of a word to the font or color of the word you are reading.)

There are studies that suggest the mechanisms of overt and covert attention may not be as separate as previously believed. Though humans and primates can look in one direction but attend in another, there may be an underlying neural circuitry that links shifts in covert attention to plans to shift gaze. For example, if individuals attend to the right hand corner field of view, movement of the eyes in that direction may have to be actively suppressed.

The current view is that visual covert attention is a mechanism for quickly scanning the field of view for interesting locations. This shift in covert attention is linked to eye movement circuitry that sets up a slower saccade to that location.

Read more about this topic:  Attention

Famous quotes containing the words covert and/or attention:

    There was the murdered corpse, in covert laid,
    And violent death in thousand shapes displayed;
    The city to the soldier’s rage resigned;
    Successless wars, and poverty behind;
    Ships burnt in fight, or forced on rocky shores,
    And the rash hunter strangled by the boars;
    The newborn babe by nurses overlaid;
    And the cook caught within the raging fire he made.
    Geoffrey Chaucer (1340?–1400)

    I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.
    Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)