Criticism
The Council attracted criticism from the Parliamentary select committee responsible for its oversight for supporting a Lottery funded programme to subsidise UK film production that resulted in a series of films that failed to find distribution. There was also a series of costly capital projects such as the Royal Opera House and the Lowry Centre that required additional funding. In the case of the Royal Opera House the select committee found the Arts Council had broken its own procedures. In 2005 it was announced that the Arts Council England's budget was capped resulting in an effective £30m reduction in its budget.
The Arts Council of England funds a controversial cultural festival, the Festival of Muslim Cultures.
In March 2006, the Arts Council announced a review of its National Office that would "enhance efficiency and delivery while continuing to provide respected and focused arts leadership and drive", whilst proposing to lose 42 posts, mainly arts specialists, so that the organisation will no longer have dedicated national leads for areas including contemporary music, interdisciplinary art, moving image, architecture, broadcasting, opera, social inclusion, disability, and so on.
Arts Council England's music policy is controversial with jazz enthusiasts. It spends more than 90% of its music budget on opera. Jazz has an equivalent audience size but receives less than 1%. This point was raised in Chris Hodgkins's 1998 paper Jazz in the UK. More recently it was raised in the House of Lords by Lord Colwyn on 11 May 2006 as documented in the Lords Hansard Columns (1058 to 1060).
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Famous quotes containing the word criticism:
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)
“In criticism I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.”
—Edgar Allan Poe (1809–1845)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)