Arthur (Or The Decline and Fall of The British Empire) - Recording

Recording

The group turned to the recording proper on 1 May 1969. The first tracks worked on were "Drivin'", intended as their next single release, and "Mindless Child Of Motherhood", written by Dave Davies (the latter would eventually be used as the B-side to "Drivin'", and was not included on the LP). The Kinks began a two-week series of focused sessions on 5 May, laying down an early version of the entire Arthur album. Recording was interrupted when The Kinks travelled to Beirut, Lebanon on 17 May to play three dates at the Melkart Hotel; sessions for Arthur resumed the day after their return, and most of the recording for the album was finished by the end of the month. Mixing and dubbing began in early June, with arranger Lew Warburton handling string overdubs. The Kinks played a few small gigs in England throughout the remainder of the month, but devoted most of their time to finishing Dave Davies' solo album.

Writing for the TV play progressed through May and June, and on 15 June mixing for Dave Davies' solo LP was completed (tapes for this record were eventually delivered to Pye and Reprise Records, although it never saw official release). A press release announced that the Arthur LP was scheduled for a late July release. As Davies and Mitchell completed their script, the Arthur TV play began to crystallise, and British filmmaker Leslie Woodhead was assigned the role of director. By early September production was scheduled to begin, with a planned broadcast of late September, but these plans were continually delayed. As problems with the TV play got progressively worse—and, consequently, distracted The Kinks from completing the post-production of the album—the release dates for both projects were pushed further and further back. In early October Ray Davies moved from Borehamwood back to his old family home on Fortis Green Road, in Muswell Hill, and travelled to Los Angeles, where he deposited the tapes at Reprise for Arthur's American release. The album's release date was finally set for 10 October, and The Kinks began gearing up for an upcoming US tour to support the album, for which they would depart on 17 October. Shooting for the TV play was eventually set for 1 December. Roy Stonehouse was hired as a designer, and the casting was completed; however, the show was cancelled at the last minute when the producer was unable to secure financial backing. Davies and Mitchell were frustrated at an entire year's work wasted—Doug Hinman stated that Davies witnessed "his grand artistic visions once again dashed by bureaucracy and internal politics."

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    I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!
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