Arthur Erickson - Works

Works

  • 1965 onward in stages - Simon Fraser University, Burnaby, British Columbia, Canada
  • 1970: Government of Canada pavilion, Expo '70, Osaka, won top architectural award Aug 17, 1970.
  • 1971: University Hall, University of Lethbridge, Lethbridge, Alberta
  • 1975: Graham House
  • 1976: Haida longhouse-inspired Museum of Anthropology at UBC, University of British Columbia, Vancouver, BC
  • 1978: Eglinton West Subway Station, Toronto, Ontario
  • 1978: Yorkdale Subway Station, Toronto, Ontario
  • 1978-1983 in stages: Robson Square, Provincial Law Courts, and Vancouver Art Gallery, Vancouver, BC
  • 1979: Bank of Canada Building addition, Ottawa, Ontario (with Marani Rounthwaite & Dick)
  • 1982: Roy Thomson Hall, Toronto, Ontario
  • 1983: Napp Laboratories, Cambridge, England
  • 1984: King's Landing, Toronto, Ontario
  • 1985: One California Plaza, Los Angeles, California
  • 1989: Canadian Embassy Chancery, Washington, DC
  • 1989: Markham Civic Centre, Markham, Ontario (with Richard Stevens Architects Limited)
  • 1989: Convention Center, San Diego, California
  • 1989: The Kingbridge Centre, King City, Ontario
  • 1991: Fresno City Hall, Fresno, California
  • 1991: McGaugh Hall, University of California, Irvine
  • 1992: Two California Plaza, Los Angeles, California
  • 1997: Walter C. Koerner Library, University of British Columbia, Vancouver
  • 2000: new Portland Hotel, Vancouver
  • 2002: Museum of Glass, Tacoma, Washington, USA
  • 2002: Waterfall building, Vancouver, BC
  • 2007: RCMP Heritage Centre, Regina, Saskatchewan
  • 2014: Vancouver's Turn, Vancouver, BC


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Famous quotes containing the word works:

    “It is the art of mankind to polish the world, and every one who works is scrubbing in some part.”
    —Henry David Thoreau (1817–1862)

    “A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
    —Vladimir Nabokov (1899–1977)

    “I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.”
    —Henry David Thoreau (1817–1862)