Selected Monsters, Ghosts, and Other Supernatural Characters
- a swamp monster, who lives in an old Riverdale swimming hole
- a mummy in a museum exhibit
- werewolf sheriff
- mad scientists
- A 50-foot Veronica
- vampires
- giant beetle
- UFOs
- zombies
- "Stanley 9000"
- man-eating worm
- super smart rats
- super smart teen (in Brain Of Terror)
- giant cockroaches
- Tapioca Pudding Glob
- alien potatoes
- Insane artificial intelligence in Archie's car alarm
- Ancient wish-granting artifacts gone haywire
- Ghost Of Quiet Violet - she used to a very strict librarian when Jughead was young. She scared Jughead so much when he was young that he stopped going to the library. As a ghost, she haunts the library.
- Monster "Archie" – Archie gets turned into a monster when he drinks a new energy drink called "Zoom".
- Monster "Stevenson" – Stevenson, a health and workout advocate, gets turned into a monster when he drinks a new energy drink called "Zoom".
- Genii - escapes from an urn in Dr. Beaumont's store into Archie's laptop. Reggie, in turn, uses the laptop and is granted three wishes; after which, the Genii is set free and begins to wreak havoc on the city.
- Reggie Droid
- Evil Trog's Leader and his Trogs in Virtually Evil.
- Mega-Mall of Horrors
- Jughead's Pizza Monster - A monster created by Jughead when his chemistry set spilled on a leftover slice of pizza.
Read more about this topic: Archie's Weird Mysteries
Famous quotes containing the words selected, supernatural and/or characters:
“She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a Scriptural flourish, he “hooked” a doughnut.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)
“I cannot be much pleased without an appearance of truth; at least of possibility—I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.”
—Frances Burney (1752–1840)