Appointment in Samarra - Explanation of The Novel's Title

Explanation of The Novel's Title

The title is a reference to W. Somerset Maugham's retelling of an old story, which appears as an epigraph for the novel: A merchant in Baghdad sends his servant to the marketplace for provisions. Shortly, the servant comes home white and trembling and tells him that in the marketplace he was jostled by a woman, whom he recognized as Death, and she made a threatening gesture. Borrowing the merchant's horse, he flees at top speed to Samarra, a distance of about 75 miles (125 km), where he believes Death will not find him. The merchant then goes to the marketplace and finds Death, and asks why she made the threatening gesture. She replies, "That was not a threatening gesture, it was only a start of surprise. I was astonished to see him in Baghdad, for I had an appointment with him tonight in Samarra."

In his foreword to the 1952 reprint, O'Hara says that the working title for the novel was The Infernal Grove. He got the idea for the title Appointment in Samarra when Dorothy Parker showed him the story in Maugham's play, Sheppey. He says "Dorothy didn't like the title, Alfred Harcourt didn't like the title, his editors didn't like it, nobody liked it but me." O'Hara describes it as a reference to "the inevitability of Julian English's death."

Read more about this topic:  Appointment In Samarra

Famous quotes containing the words explanation of, explanation and/or title:

    To develop an empiricist account of science is to depict it as involving a search for truth only about the empirical world, about what is actual and observable.... It must involve throughout a resolute rejection of the demand for an explanation of the regularities in the observable course of nature, by means of truths concerning a reality beyond what is actual and observable, as a demand which plays no role in the scientific enterprise.
    Bas Van Fraassen (b. 1941)

    Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called “silent poetry,” and poetry “speaking painting.” The laws of each art are convertible into the laws of every other.
    Ralph Waldo Emerson (1803–1882)

    Men don’t and can’t live by exchanging articles, but by producing them. They don’t live by trade, but by work. Give up that foolish and vain title of Trades Unions; and take that of Labourers’ Unions.
    John Ruskin (1819–1900)