Design
Smith also edited and directed the design of the Anthology. He created the liner notes himself, and these notes are almost as famous as the music, using an unusual fragmented, collage method that presaged some postmodern artwork. Smith also penned short synopses of the songs in the collection, which read like newspaper headlines—for the song "King Kong Kitchie Kitchie Ki-Me-O" by Chubby Parker, a song about a mouse marrying a frog, Smith notes: "Zoologic Miscegeny Achieved Mouse Frog nuptials, Relatives Approve."
Each of the three two-record sets carried the same cover art, a Theodore de Bry etching of an instrument Smith referred to as the "Celestial Monochord," taken from a mystical treatise by scientist/alchemist Robert Fludd. This etching was printed over against a different color background for each volume of the set: green, blue, and red. Smith had incorporated both the music and the art into his own unusual cosmology, and each of these colors was considered by Smith to correspond to an alchemical classical element: Water, Fire, and Air, respectively.
In the 1960s, Irwin Silber replaced Smith's covers with a Ben Shahn photograph of a poor Depression-era farmer, over Smith's objections, although others have considered this a wise commercial choice in the politically charged atmosphere of the folk movement during that decade.
Read more about this topic: Anthology Of American Folk Music
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—François, Duc De La Rochefoucauld (1613–1680)
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“You can make as good a design out of an American turkey as a Japanese out of his native stork.”
—For the State of Illinois, U.S. public relief program (1935-1943)